Keith Smith's All Stars, George "Pops" Foster, Capt. John Handy, Jimmy Archey, Lars Edegran, Ron Simpson, Freddy Moore's ' "Blues and Booze" was released on its scheduled release date, 1999. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Keith Smith's All Stars, Jimmy Archey's Hot Six's "Keith Smith * Jimmy Archey" album is number 2 out of 14. On top of that, United States appears to be the country where this track was created. In terms of popularity, Blues and Booze is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Blues and Booze by Keith Smith's All Stars, George "Pops" Foster, Capt. John Handy, Jimmy Archey, Lars Edegran, Ron Simpson, Freddy Moore to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nice Work If You Can Get It | Buddy Rich, Harry "Sweets" Edison | A♭ Major | 2 | 4B | 113 BPM | ||
| I'm Livin' In A Great Big Way | Louis Prima, Joe "Wingy" Manone | G Major | 5 | 9B | 91 BPM | ||
| You're Just My Type | Vince Giordano And The Nighthawks | B♭ Major | 2 | 6B | 113 BPM | ||
| Clap Hands! Here Comes Charley! | Chick Webb | G Major | 7 | 9B | 137 BPM | ||
| Otto Make That Riff Staccato | THE SCHWINGS BAND | F Major | 2 | 7B | 124 BPM | ||
| A Viper's Moan (01-04-35) | Willie Bryant | D♭ Major | 4 | 3B | 75 BPM | ||
| New Moten Stomp | Bennie Moten | B♭ Major | 4 | 6B | 130 BPM | ||
| Jelly Roll Blues | Lu Watters Yerba Buena Jazz Band | B♭ Major | 6 | 6B | 166 BPM | ||
| Swingin' | Saunders King | A♭ Major | 4 | 4B | 99 BPM | ||
| Don't Be That Way | Jimmy Dorsey & His Orchestra | B♭ Major | 4 | 6B | 130 BPM | ||
| Madagascar | Wilbur De Paris | A♭ Major | 4 | 4B | 76 BPM | ||
| Oh Look at Me Now | Lee Wiley | D♭ Major | 1 | 3B | 89 BPM | ||
| Three Little Words | Bud Freeman | C Major | 5 | 8B | 180 BPM | ||
| Blue Goose - 1999 Remastered | Duke Ellington | B♭ Major | 5 | 6B | 98 BPM | ||
| Back Bay Shuffle | Artie Shaw | G Major | 4 | 9B | 198 BPM | ||
| Ory's Creole Trombone | Kid Ory, Kid Ory Creole Jazz Band | F Major | 5 | 7B | 105 BPM | ||
| I Wish I Could Shimmy Like My Sister Kate | Keith Smith's All Stars, George "Pops" Foster, Capt. John Handy, Jimmy Archey, Lars Edegran, Ron Simpson, Freddy Moore | F Major | 4 | 7B | 101 BPM | ||
| Memphis Blues | Edmond Hall, George Wettling's Dixielanders (Jazz Band) | E♭ Major | 5 | 5B | 94 BPM | ||
| The Garbage Man | Harlem Hamfats | F♯ Minor | 5 | 11A | 105 BPM | ||
| Riffin' | Fletcher Henderson | E♭ Major | 6 | 5B | 96 BPM | ||
| The Mooche | Glenn Crytzer | C Minor | 2 | 5A | 124 BPM | ||
| Apollo Jump | Lucky Millinder | B♭ Major | 4 | 6B | 130 BPM | ||
| Somebody Loves Me | Brooks Prumo Orchestra | B♭ Major | 4 | 6B | 169 BPM | ||
| Bean Stalking - Idaho | The Three Tenors Of Swing | G Minor | 8 | 6A | 138 BPM | ||
| One, Two, Button Your Shoe | Billie Holiday | B♭ Minor | 3 | 3A | 173 BPM |