"Excelsus: V. Dies Irae" by Cheryl Frances-Hoad, Thomas Carroll had its release date on May 6, 2022. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 5 out of 7 in Excelsus by Cheryl Frances-Hoad, Thomas Carroll. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of Excelsus: V. Dies Irae is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Excelsus: V. Dies Irae by Cheryl Frances-Hoad, Thomas Carroll is Vivace (lively and fast), since this song has a tempo of 168 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 4 Gesänge, Op. 17: No. 1, Es tönt ein voller Harfenklang | Johannes Brahms, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | G Minor | 0 | 6A | 67 BPM | ||
| Mass in E-Flat Major, Op. 109, IJR 75 "Cantus Missae": I. Kyrie | Josef Rheinberger, Netherlands Radio Choir, Benjamin Goodson | F Major | 1 | 7B | 79 BPM | ||
| Te Deum à 8, MWV B 15: II. Te Aeternum Patrem | Felix Mendelssohn, Franziska Bobe, Katharina Eberl, Maria Kalmbach, Sigrun Bornträger, Oliver Kringel, Daniel Schmid, Johannes Hill, Felix Rathgeber, Kammerchor Stuttgart, Sonntraud Engels-Benz, Frieder Bernius | D♭ Major | 1 | 3B | 66 BPM | ||
| Tykus tykus | Vaclovas Augustinas, En Kör | C Major | 1 | 8B | 82 BPM | ||
| Messa di Requiem: Requiem | Ildebrando Pizzetti, Conspirare, Craig Hella Johnson | D Minor | 0 | 7A | 81 BPM | ||
| Into the Light: No. 4, Flower into Kindness | Jake Runestad, Conspirare, Kathlene Ritch, Craig Hella Johnson | D Major | 1 | 10B | 83 BPM | ||
| Sub Tuum Paesidium: Sub Tuum Præsidium Pour Sopranos, Altos Et Orgue | Michel Piquemal Vocal Ensemble, Eric Lebrun, Michel Piquemal, Guy Ropartz | E♭ Major | 1 | 5B | 77 BPM | ||
| Parce mihi, Domine | Cristobal de Morales, De Profundis, Eamonn Dougan | F Major | 0 | 7B | 130 BPM | ||
| The Armed Man (Ensemble Version): III. Kyrie | Karl Jenkins, Hertfordshire Chorus, David Temple, London Orchestra da Camera, Kathryn Rudge | G Major | 2 | 9B | 127 BPM | ||
| Requiem for the Living: III. Agnus dei | Dan Forrest, Anna Ogińska, Wiktoria Zawistowska, University of Bielsko-Biala Choir, University of Bielsko-Biała Chamber Orchestra, Jan Borowski | E♭ Major | 2 | 5B | 106 BPM | ||
| Robert Pearsall: Lay a garland | Lumen Valo | E♭ Major | 1 | 5B | 124 BPM | ||
| Canticles & Prayers, Inexpressible Wonder: No. 3, It Is Worth Eating | Georgy Sviridov, Latvian Radio Choir, Sigvards Kļava | D Major | 1 | 10B | 83 BPM | ||
| Quatuor pour la fin du Temps: V. Louange à l'éternité de Jésus | Olivier Messiaen, Lucas Debargue, Torleif Thedéen | E Major | 0 | 12B | 81 BPM | ||
| Kuuntelen - Live | Aki Yli-Salomäki, Elisa Huovinen | D Major | 2 | 10B | 82 BPM | ||
| To Be Sung Of A Summer Night On The Water | Frederick Delius, Handel and Haydn Society, Grant Llewellyn | B♭ Major | 0 | 6B | 76 BPM | ||
| Crucifixus | Antonio Lotti, Jugendchor Osnabrück, Johannes Rahe | D♭ Minor | 0 | 12A | 76 BPM | ||
| Musica Animam Tangens | NWU PUK-CHOIR | D Major | 2 | 10B | 128 BPM | ||
| The Trisagion Hymn | Alexander Pierce Hill, Apollo5 | D Major | 2 | 10B | 128 BPM | ||
| Composizioni per Organo e Cembalo: Intonazione cromatica del terzo tono | Tarquinio Merula, Bernard Foccroulle | E♭ Minor | 1 | 2A | 90 BPM | ||
| Actus Caritatis | Pēteris Vasks, Youth Choir "Kamer...", Patriks Kārlis Stepe | D Major | 1 | 10B | 132 BPM | ||
| The Writings: No. 1, Again (After Ecclesiastes) | David Lang, Cappella Amsterdam, Daniel Reuss | D Minor | 1 | 7A | 134 BPM | ||
| Dirait-On | Nordic Chamber Choir - Nicol Matt | D♭ Major | 0 | 3B | 112 BPM | ||
| Add It | Oscap | C Major | 1 | 8B | 132 BPM | ||
| Embers | Yajex | D♭ Major | 1 | 3B | 183 BPM | ||
| Ur drömliv I (Arr. for Vocal Ensemble) | Elfrida Andrée, Singer Pur | C Major | 0 | 8B | 124 BPM |