Marc Fortier's ' "Les Petits Rats De L'Opera" was released on its scheduled release date, May 12, 2016. The duration of This song is about 3 minutes long, at 3:20. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 7 out of 12 in French Classical Favorites by Marc Fortier. Going off of the ISRC code of this track, we detected that the origin of this track is from Canada. Based on our statistics, Les Petits Rats De L'Opera's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Les Petits Rats De L'Opera by Marc Fortier is Allegro (fast, quick, and bright), since this song has a tempo of 141 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sadko: Song of India | Arthur Fiedler | G Major | 1 | 9B | 96 BPM | ||
| Sobre las Olas | Juventino Rosas, Orquesta Filarmonica de la Ciudad de Mexico, Herrera de la Fuente | G Major | 1 | 9B | 104 BPM | ||
| Don Quixote, Act IV: Basilio's Variation | Ludwig Minkus, Valery Zhelobinsky, Sofia National Opera Orchestra, Boris Spassov | D Major | 0 | 10B | 78 BPM | ||
| Suite from Mam’zelle Angot, Act I: VII. Allegretto | Alexandre Lecocq, Estonian National Symphony Orchestra, Neeme Järvi | G Major | 1 | 9B | 80 BPM | ||
| Danza Del Ore | Marc Fortier | E Major | 1 | 12B | 77 BPM | ||
| Capricho Español: Fandango Asturiano | Orquesta Sinfónica De Radio Hamburgo, Ferdinand Canonovich | A Major | 4 | 11B | 189 BPM | ||
| Peer Gynt Suite No.1 op. 46 Morning (Allegro pastorale) | Academy of St. Martin in the Fields | E Major | 0 | 12B | 68 BPM | ||
| Orpheus In The Underworld (Orphée aux enfers): Overture | Jacques Offenbach, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 82 BPM | ||
| Suite No. 1 for Variety Orchestra, Op. Posth.: VII. Waltz No. 2 | Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar | C Minor | 2 | 5A | 194 BPM | ||
| Over the Waves | Juventino Rosas, Nikolai Nazarov, Separate Exemplary Orchestra of USSR Defense Ministry | F Major | 1 | 7B | 106 BPM | ||
| Bistro St-Malo | Marc Fortier | G Major | 1 | 9B | 124 BPM | ||
| Donausagen, Op. 446 | Carl Michael Ziehrer, Robert Stolz | G Major | 3 | 9B | 88 BPM | ||
| Amber Waltz | Alexander Swoboda | F Minor | 1 | 4A | 83 BPM | ||
| Gold und Silber, Op. 79: Gold und Silber (Gold and Silver), Op. 79: Waltz | Franz Lehár, Budapest Symphony Orchestra, Géza Oberfrank | F Major | 0 | 7B | 81 BPM | ||
| Peer Gynt, Op. 23, Act IV: No. 13, Prelude. Morning Mood | Edvard Grieg, San Francisco Symphony, Herbert Blomstedt | E Major | 0 | 12B | 66 BPM | ||
| Offenbach: Can-Can (Orpheus in the Underworld): Can-Can - Produced | Offenbach, José Serebrier | D Major | 4 | 10B | 80 BPM | ||
| Spanish Dance | Dmitri Shostakovich, Plano East Senior High Chamber Orchestra, Betsy Thomas | D Major | 3 | 10B | 76 BPM | ||
| The Snowstorm: II. Waltz | Georgy Sviridov, Vladimir Fedoseyev, State Academic Large Symphony Orchestra | A Major | 2 | 11B | 70 BPM | ||
| Raymonda, Act III: Grand Pas de Deux, Entree | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | D Major | 3 | 10B | 84 BPM | ||
| Trisch Trasch Polka | Wiener Symphoniker | A Major | 6 | 11B | 80 BPM | ||
| Bronze Horseman Suite: VI. Waltz. Tempo di valse | Reinhold Glière, Sir Edward Downes, BBC Philharmonic | D Major | 0 | 10B | 109 BPM | ||
| Arena Madrid | Marc Fortier | F Minor | 2 | 4A | 129 BPM | ||
| Estudiantina, Op. 191 | Émile Waldteufel, Slovak State Philharmonic Orchestra, Alfred Walter | D Major | 2 | 10B | 99 BPM | ||
| Natasha's Waltz - From War and Peace (1956) | Audrey Hepburn, Nino Rota | C Major | 4 | 8B | 169 BPM | ||
| Rigoletto "Scorrendo muti remota via" | Alessio Busanel And His Orchestra | A Major | 1 | 11B | 113 BPM |