Mukesh, Laxmikant–Pyarelal's ' "Ram Kare Aisa Ho Jaye" was released on its scheduled release date, January 1, 1967. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Laxmikant–Pyarelal's "Milan" album is number 5 out of 8. Based on our statistics, Ram Kare Aisa Ho Jaye's popularity is below average in popularity right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Ram Kare Aisa Ho Jaye by Mukesh, Laxmikant–Pyarelal to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Duniya Mein Kitna Gham Hai | Mohammed Aziz, Laxmikant–Pyarelal | F Major | 7 | 7B | 73 BPM | ||
| Yari Hai Imaan Mera | Manna Dey, Kalyanji-Anandji | A♭ Major | 5 | 4B | 106 BPM | ||
| Mera Pyar Woh Hai | Mahendra Kapoor | F♯ Minor | 4 | 11A | 125 BPM | ||
| Tum Gagan Ke Chandrama Ho | Lata Mangeshkar, Manna Dey, Laxmikant–Pyarelal | E Major | 3 | 12B | 148 BPM | ||
| Yaad Teri Aayegi | Anu Malik, Shabbir Kumar | B Minor | 6 | 10A | 128 BPM | ||
| Aa Bhi Jao Zindagi Kam Hai | Chandan Dass | E Minor | 4 | 9A | 95 BPM | ||
| Zindagi Jab Bhi | Talat Aziz | F Minor | 2 | 4A | 78 BPM | ||
| Tum Mujhe Bhool Bhi Jao (From "Didi") | Sudha Malhotra, Mukesh | E♭ Major | 2 | 5B | 86 BPM | ||
| Jo Tumko Ho Pasand Wohi Baat Kahenge | Mukesh | B Minor | 5 | 10A | 114 BPM | ||
| Tan Jale Man Jalta Rahe | Dwijen Mukherjee, Salil Chowdhury | G Minor | 4 | 6A | 135 BPM | ||
| Teri Umeed Tera Intezar (From "Deewana") | Sadhana Sargam, Kumar Sanu | G Major | 5 | 9B | 108 BPM | ||
| Chitthi Aai Hai | Pankaj Udhas, Laxmikant–Pyarelal | C Major | 7 | 8B | 83 BPM | ||
| Lambi Judaai | Reshma, Laxmikant–Pyarelal | B Major | 5 | 1B | 136 BPM | ||
| Suno Sajna Papihe Ne Kaha (From "Aaye Din Bahar Ke") | Tabassum, Lata Mangeshkar | E Major | 6 | 12B | 91 BPM | ||
| Meri Sanson Mein | Udit Narayan, Javed Akhtar | C Major | 4 | 8B | 82 BPM | ||
| Deewane Tere Naam Ke | Sukhwinder Singh, Laxmikant–Pyarelal | E♭ Major | 6 | 5B | 132 BPM | ||
| Aapke Anurodh Pe | Kishore Kumar, Laxmikant–Pyarelal | F♯ Major | 4 | 2B | 98 BPM | ||
| Beshak Mandir Masjid Todo | Narendra Chanchal, Laxmikant–Pyarelal | A Major | 4 | 11B | 83 BPM | ||
| Na Na Karte Pyar Tumhin Se | Suman Kalyanpur, Mohammed Rafi | F♯ Major | 6 | 2B | 198 BPM | ||
| Pyaar Ka Pehla Khat | Jagjit Singh | A♭ Minor | 4 | 1A | 93 BPM | ||
| Aap Se Humko Bichhade Huye | Suman Kalyanpur, Manhar Udhas | G Minor | 2 | 6A | 79 BPM | ||
| Ja Tose Nahin Bolun Kanhaiya | Lata Mangeshkar, Manna Dey, Shailendra | D♭ Major | 4 | 3B | 101 BPM | ||
| Rim Jhim Ke Geet | Lata Mangeshkar, Mohammed Rafi, Laxmikant–Pyarelal | A Minor | 3 | 8A | 150 BPM | ||
| Sab Kuchh Seekha Ham Ne - Jhankar Beats | Hero And King Of Jhankar Studio, Mukesh | A Minor | 6 | 8A | 99 BPM | ||
| Kagaz Kalam Davaat | Mohammed Aziz, Shobha Joshi, Laxmikant–Pyarelal | A Major | 8 | 11B | 113 BPM |