Ravindra Jain's ' "Ram Ram Kahi Ram" was released on its scheduled release date, January 1, 2007. With This song being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 17 out of 27 in Ayodhya Kaand by Ravindra Jain. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Ram Ram Kahi Ram's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Ram Ram Kahi Ram by Ravindra Jain is Allegro (fast, quick, and bright), since this song has a tempo of 123 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lai Hayat Aye Qazal - E - Chali Chal | Bhupinder Singh | B♭ Major | 4 | 6B | 156 BPM | ||
| Parbaton Ke Pedon Par | Mohammed Rafi, Suman Kalyanpur | G Major | 4 | 9B | 170 BPM | ||
| Hanuman Baan | Satish Dehra | A Minor | 4 | 8A | 92 BPM | ||
| Sampooran Sundar Kaand | Babla Mehta | D♭ Major | 2 | 3B | 110 BPM | ||
| Ho Rahi Jai - Jaikar Shyam Tere Mandir Mein | Kumar Vishu | A Major | 7 | 11B | 186 BPM | ||
| Aag Hawa Mitti Aur Paani | Anwar | C Major | 5 | 8B | 62 BPM | ||
| Meri Dilruba Tujhko Aana Padega | Shailendra Singh | G Major | 4 | 9B | 82 BPM | ||
| Dharti Meri Mata Pita Aasman | Jaspal Singh | D Major | 7 | 10B | 89 BPM | ||
| Na Jao Saiyan Chhuda Ke Baiya | Geeta Dutt | E♭ Major | 4 | 5B | 97 BPM | ||
| Kakoli Kujane | Alpana Banerjee | G Major | 2 | 9B | 72 BPM | ||
| Dukh Mein | C. Ashwath, Santha Shishunala Sharifa | A♭ Major | 4 | 4B | 84 BPM | ||
| Prabhu Apki Kripa Se | Chetna | A♭ Major | 5 | 4B | 110 BPM | ||
| Dwarika Ko Pranam Dwarikadheesh Ko Pranam | Ravindra Jain, Satish Dehra | F Major | 3 | 7B | 88 BPM | ||
| Classical Music | Sanjay Dutt | D Major | 8 | 10B | 80 BPM | ||
| Geeta Gyan - Har Nadiya Apna Jal Lekr Sindhu Se Nata Jode Re | Ravindra Jain | F Minor | 3 | 4A | 99 BPM | ||
| Raqs Mein Hai Saara Jahan | Arun Ingle | D Major | 6 | 10B | 178 BPM | ||
| Badhe Chalo Ae Sher Jawano | Narendra Chanchal | D♭ Major | 8 | 3B | 112 BPM | ||
| Kabhi Pyase Ko Pani Pilaya Nahi | Sangam Upadhaya | G Major | 6 | 9B | 85 BPM | ||
| Do Qadam Tum Na Chale | Mukesh, Kalyanji-Anandji | D♭ Minor | 3 | 12A | 154 BPM | ||
| Shyam Chudi Bechne Aaya | Anjali Jain | F♯ Major | 6 | 2B | 87 BPM | ||
| He Karuna Karnara | Sachin Limaye, Ashita Limaye | C Major | 2 | 8B | 60 BPM | ||
| Bhaj Man Ram Naam | Niti Sagar, Moti Sagar, Preeti Sagar, Namitasagar | G Minor | 4 | 6A | 132 BPM | ||
| Yehi Vo Raavan Jiske Kaaran | Ravindra Jain | C Major | 7 | 8B | 86 BPM | ||
| Apna Gham Leke Kahin | Chandan Dass | G Minor | 4 | 6A | 112 BPM | ||
| Nadiya Mein Lehren Nache | Shyamal Mitra | A♭ Major | 4 | 4B | 125 BPM |