"Etude for Piano No. 2 (Harp Version)" by Philip Glass, Julia Rovinsky had its release date on April 10, 2012. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 5 in Dark by Julia Rovinsky. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Etude for Piano No. 2 (Harp Version) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Etude for Piano No. 2 (Harp Version) by Philip Glass, Julia Rovinsky is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Transportation | Julia Kent | D Minor | 4 | 7A | 132 BPM | ||
| Rachmaninov: 13 Preludes, Op. 32: No. 5 in G Major | Sergei Rachmaninoff, Conrad Tao | G Major | 0 | 9B | 107 BPM | ||
| All Four Holy Mountains | Goldmund | B Minor | 0 | 10A | 143 BPM | ||
| Deo Gratias, canon 36 voices | Johannes Ockeghem, Bl!ndman | B♭ Minor | 0 | 3A | 65 BPM | ||
| Rothko Chapel 4 | Morton Feldman | A Minor | 0 | 8A | 82 BPM | ||
| Prelude For Time Feelers | Eluvium | D Major | 3 | 10B | 115 BPM | ||
| Fragment V | Library Tapes | D♭ Major | 7 | 3B | 135 BPM | ||
| Music for 18 Musicians: Section I | Steve Reich | D Major | 3 | 10B | 102 BPM | ||
| Music for 18 Musicians: Section XI | Steve Reich | D Major | 6 | 10B | 104 BPM | ||
| Opening | Philip Glass, Martin Jacoby | C Minor | 2 | 5A | 158 BPM | ||
| Still Life in A | Ryuichi Sakamoto, Jaques Morelenbaum, Judy Kang | C Major | 1 | 8B | 79 BPM | ||
| In the Upper Room: Dance II | Philip Glass, Michael Riesman, Philip Glass Ensemble | D Major | 1 | 10B | 83 BPM | ||
| Breathe Easy | Rylandiaa | F Minor | 7 | 4A | 147 BPM | ||
| A Snowflake | Peter Broderick | F♯ Minor | 1 | 11A | 125 BPM | ||
| Es Steh'n Vor Gottes Throne, Chorale Setting For 4 Voices, Bwv 309 (Bc F63): Es Stehn Vor Gottes Throne, Bwv 309 (Arr. By Chad Lawson For Piano) | Chad Lawson | G Minor | 0 | 6A | 126 BPM | ||
| Knee Play 4 - from "Einstein on the Beach" | Philip Glass, Bruce Brubaker | C Major | 0 | 8B | 76 BPM | ||
| Music for 18 Musicians, Pt. 1 | Steve Reich, Grand Valley State University New Music Ensemble, Bill Ryan | F♯ Minor | 3 | 11A | 104 BPM | ||
| Rhapsodie | Marcel Grandjany, Judy Loman | F Minor | 1 | 4A | 96 BPM | ||
| Golden Brown | Estoria | E♭ Minor | 0 | 2A | 92 BPM | ||
| Ragas in Minor Scale | Philip Glass, Ravi Shankar | F Major | 2 | 7B | 151 BPM | ||
| 0952 | Ólafur Arnalds | E♭ Major | 2 | 5B | 101 BPM | ||
| Romance from the Past | Takashi Yoshimatsu, Pascal Rogé | F Minor | 1 | 4A | 116 BPM | ||
| Bloodroot | Rachel Grimes | A Minor | 1 | 8A | 135 BPM | ||
| Loves Me, Loves Me Not, Loves Me | Chad Lawson | A Major | 0 | 11B | 116 BPM | ||
| Company: I. - | Philip Glass, Ulster Orchestra, Takuo Yuasa | F Major | 0 | 7B | 103 BPM |