ジョルジュ・ビゼー, 萩原貴子, 斎藤雅広's 'カルメン・ファンタジー2001' had a release date set for March 17, 2001. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in カルメン・ファンタジー2001, so we believe that "カルメン・ファンタジー2001" is a single. カルメン・ファンタジー2001 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of カルメン・ファンタジー2001 by ジョルジュ・ビゼー, 萩原貴子, 斎藤雅広 is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Giselle - Act 1: No. 3 Loys seul - Entrée de Giselle | Adolphe Adam, London Symphony Orchestra, Anatole Fistoulari | F Major | 0 | 7B | 176 BPM | ||
| Cello Concerto in E Minor, Op. 85: III. Adagio | Edward Elgar, Torleif Thedéen, Malmö Symphony Orchestra, Lev Markiz | G Minor | 0 | 6A | 91 BPM | ||
| Swan Lake, Op. 20: Scene by a Lake | Pyotr Ilyich Tchaikovsky, Metamorphose String Orchestra, Pavel Lyubomudrov | E Minor | 2 | 9A | 169 BPM | ||
| The Planets, Op. 32: II. Venus, the Bringer of Peace | Gustav Holst, Radio Sinfonieorchester Stuttgart des SWR, Sir Roger Norrington | F Minor | 0 | 4A | 174 BPM | ||
| Scottish Fantasy for Violin and Orchestra, Op. 46: IV. Finale: Allegro guerriero | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 97 BPM | ||
| Holberg Suite, Op. 40: I. Praludium (Allegro Vivace) | Edvard Grieg, Libor Pešek, Slovac Philharmony | F Major | 0 | 7B | 95 BPM | ||
| Holberg Suite, Op. 40: I. Präludium (Allegro vivace) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 1 | 9B | 135 BPM | ||
| 組曲 火の鳥, 王女たちのロンド (ホロヴォード舞曲) (1919年版) | Igor Stravinsky, Vladimir Ashkenazy, Iceland Symphony Orchestra | C Minor | 1 | 5A | 74 BPM | ||
| Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Robert Schumann, Seattle Symphony Orchestra, Gerard Schwarz | A Minor | 0 | 8A | 104 BPM | ||
| Beethoven: Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai (Excerpt) | Ludwig van Beethoven, Jukka-Pekka Saraste, Scottish Chamber Orchestra | C Minor | 0 | 5A | 83 BPM | ||
| Glück: I. Andante | Siegfried Wagner, Rundfunk-Sinfonieorchester Frankfurt, Dimitrij Kitajenko | A Minor | 0 | 8A | 86 BPM | ||
| Don Quixote, Act IV: Adagio | Ludwig Minkus, Valery Zhelobinsky, Sofia National Opera Orchestra, Boris Spassov | E♭ Major | 1 | 5B | 70 BPM | ||
| Norwegian Dance No. 2: Allegretto | Johan Halvorsen, Henning Kraggerud, Razumovsky Symphony Orchestra, Bjarte Engeset | A Major | 0 | 11B | 108 BPM | ||
| アルルの女 第 2組,曲, 1: Pastorale | Georges Bizet, Gerd Albrecht, Yomiuri Nippon Symphony Orchestra | A Major | 0 | 11B | 121 BPM | ||
| Holberg Suite, opus 40: Prelude (Allegro vivace) | Academy of St. Martin in the Fields | G Major | 1 | 9B | 76 BPM | ||
| Symphony No. 5 in D Major, Op. 107, MWV N 15 "Reformation": III. Andante | Felix Mendelssohn, National Symphony Orchestra Of Ireland, Reinhard Seifried | G Minor | 0 | 6A | 91 BPM | ||
| Serenade No. 1 in D Major, Op. 9: I. Andante | Robert Fuchs, Kolner Kammerorchester, Christian Ludwig | C Minor | 1 | 5A | 111 BPM | ||
| String Quartet No. 2 in D Major: III. Nocturne | Alexander Borodin, Joshua Bell, Michael Stern, Academy of St. Martin in the Fields | A Major | 1 | 11B | 100 BPM | ||
| V. Elegi. Till Carin, min hustru (Elegy. To Carin, my wife) | Hugo Alfvén, Gothenburg Symphony Orchestra, Neeme Järvi | C Minor | 1 | 5A | 88 BPM | ||
| Langsamer Satz | Anton Webern, Leonkoro Quartet | C Minor | 1 | 5A | 88 BPM | ||
| Mendelssohn: Lieder ohne Worte, Book I, Op. 19b: No. 6 in G Minor, Venetian Gondola Song, MWV U78 (Orch. Shani) | Felix Mendelssohn, Lahav Shani, Rotterdam Philharmonic Orchestra | G Minor | 0 | 6A | 76 BPM | ||
| Concertino for Horn and Orchestra in E minor, Op. 45: Polacca | Carl Maria von Weber, Hermann Baumann, Gewandhausorchester, Kurt Masur | E Major | 1 | 12B | 104 BPM | ||
| Simple Symphony, Op. 4: IV. Frolicsome Finale | Benjamin Britten, English Chamber Orchestra | G Major | 4 | 9B | 78 BPM | ||
| Clarinet Concerto: I. Allegro | Jean Françaix, Orchestra della Svizzera Italiana, Alain Lombard, Paolo Beltramini | A Major | 2 | 11B | 128 BPM | ||
| Appalachian Spring: IV. Quite Fast | Aaron Copland, Leonard Bernstein, New York Philharmonic | E Major | 3 | 12B | 127 BPM |