Ryuichi Sakamoto's ' "Hemisphere" was released on its scheduled release date, February 25, 1997. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 13 in the song's album "Smoochy". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. Based on our statistics, Hemisphere's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Hemisphere by Ryuichi Sakamoto having a BPM of 124 with a half-time of 62 BPM and a double-time of 248 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 潘心彤 Believed | Cicada | F Major | 0 | 7B | 76 BPM | ||
| A Word I Give (with Ryuichi Sakamoto) | Goldmund, Ryuichi Sakamoto | F♯ Minor | 0 | 11A | 69 BPM | ||
| 夏色の服(Natsuiro no Fuku) | Taeko Onuki, Ryuichi Sakamoto | C Minor | 0 | 5A | 64 BPM | ||
| Happy End | Ryuichi Sakamoto, Jaques Morelenbaum, Judy Kang | F Minor | 1 | 4A | 104 BPM | ||
| Fracture | Stephan Moccio | D Major | 0 | 10B | 85 BPM | ||
| 風の道(Kaze no Michi) | Taeko Onuki, Ryuichi Sakamoto | D Minor | 0 | 7A | 132 BPM | ||
| Still City | 江﨑文武 | E Minor | 2 | 9A | 139 BPM | ||
| Bokudakedemo | Soichi Noriki | B Minor | 0 | 10A | 61 BPM | ||
| Alphard | Hi'Spec | B Minor | 0 | 10A | 148 BPM | ||
| sanbika | Miu Sakamoto, Marihiko Hara | B♭ Major | 1 | 6B | 73 BPM | ||
| ササユリ | Umitaro Abe | C Major | 1 | 8B | 165 BPM | ||
| Gymnopédie No. 3 | Erik Satie, Philippe Entremont | A Minor | 0 | 8A | 131 BPM | ||
| TWTGA | David Moore, Bing & Ruth | B♭ Major | 1 | 6B | 81 BPM | ||
| Peers | Hi'Spec | F♯ Minor | 0 | 11A | 119 BPM | ||
| Adams: Hallelujah Junction: 1st Movement | John Adams, Nicolas Hodges, Rolf Hind | A♭ Major | 1 | 4B | 116 BPM | ||
| Thought of You | Taisei Iwasaki | D Minor | 1 | 7A | 64 BPM | ||
| Sanson Yojo | Marihiko Hara | B♭ Major | 0 | 6B | 81 BPM | ||
| Gymnopédie No. 1 | Erik Satie, Philippe Entremont | G Major | 0 | 9B | 73 BPM | ||
| The Sixth Station | Joe Hisaishi | E Minor | 0 | 9A | 78 BPM | ||
| 忘れかけた面影 | Nobuyuki Nakajima | C Minor | 2 | 5A | 155 BPM | ||
| Dance PM | Hiroshi Yoshimura | G Minor | 1 | 6A | 77 BPM | ||
| 砂と貝殻 | Taeko Onuki, Ryuichi Sakamoto | A Major | 2 | 11B | 81 BPM | ||
| Bruyères - Home Session | Claude Debussy, Víkingur Ólafsson | A♭ Major | 0 | 4B | 64 BPM | ||
| 追憶 | 角野隼斗 | E Minor | 3 | 9A | 118 BPM | ||
| We'll live through the long, long days, and through the long nights (Oto) | Eiko Ishibashi | A♭ Major | 0 | 4B | 125 BPM |