"Kenosis" by Hath had its release date on March 4, 2022. This song is about six minutes long, preciously at 5:48, making this song fairly long compared to other songs. The song is number 2 out of 9 in All That Was Promised by Hath. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Kenosis is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Kenosis by Hath is Moderato (at a moderate speed), since this song has a tempo of 117 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Infinite Terror | Aborted | D Major | 10 | 10B | 116 BPM | ||
| Reign Of Fate | Miseration | A♭ Major | 10 | 4B | 106 BPM | ||
| Treacherous | Beneath The Massacre | C Major | 9 | 8B | 123 BPM | ||
| The Defying Symphony of Universal Dissonance | Unfathomable Ruination | B Minor | 10 | 10A | 140 BPM | ||
| Let It Burn | Aeon | F♯ Major | 10 | 2B | 111 BPM | ||
| Spiral to Oblivion | Ophidian I | G Major | 9 | 9B | 135 BPM | ||
| Strange and Eternal | Revocation | A♭ Major | 10 | 4B | 106 BPM | ||
| Ripping Through Flesh | Creeping Death | D Minor | 10 | 7A | 84 BPM | ||
| The Day After Trinity | Panzerfaust | B♭ Major | 10 | 6B | 143 BPM | ||
| Liquified Mind | Outer Heaven | D♭ Major | 10 | 3B | 90 BPM | ||
| The Accuser | Alustrium | B♭ Minor | 10 | 3A | 174 BPM | ||
| Cthulhu | Alkaloid | D♭ Major | 9 | 3B | 80 BPM | ||
| Kaleidoscopic Tendencies - Remastered | The Zenith Passage | G Major | 9 | 9B | 113 BPM | ||
| Rites of Cruelty | Misery Index | B Minor | 10 | 10A | 100 BPM | ||
| Perverse Entity | Altars | B Major | 2 | 1B | 180 BPM | ||
| The Hybrid Suns | Exocrine | D♭ Major | 9 | 3B | 175 BPM | ||
| Currents | Hath | A♭ Major | 10 | 4B | 122 BPM | ||
| Among Worms It Was Whispered | Carnosus | D♭ Minor | 10 | 12A | 117 BPM | ||
| Shadow Archetype | Greylotus | F Minor | 9 | 4A | 75 BPM | ||
| Fostering the Divide | Immolation | C Major | 10 | 8B | 103 BPM | ||
| Chime Diabolicus | Hooded Menace | C Major | 7 | 8B | 170 BPM | ||
| The Blade | Necrot | G Major | 10 | 9B | 92 BPM | ||
| Carved | Bloodbath, Luc Lemay | B♭ Major | 8 | 6B | 73 BPM | ||
| Absolute Destitute | Cattle Decapitation | E♭ Major | 10 | 5B | 125 BPM | ||
| Blood Ornaments | Hooded Menace | F♯ Major | 7 | 2B | 130 BPM |