- BPM
- 131
- Key
- D Major
- Camelot
- 10B
Excelsus: IV. Sanctus by Cheryl Frances-Hoad, Thomas Carroll Song Details
"Excelsus: IV. Sanctus" by Cheryl Frances-Hoad, Thomas Carroll had its release date on May 6, 2022. The duration of This song is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Excelsus: IV. Sanctus's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 7 in Excelsus by Cheryl Frances-Hoad, Thomas Carroll. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Excelsus: IV. Sanctus's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Excelsus: IV. Sanctus by Cheryl Frances-Hoad, Thomas Carroll is Allegro (fast, quick, and bright), since this song has a tempo of 131 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
Music Key
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -20.267 dB
- Acousticness
- 99%
- Danceability
- 27%
- Energy
- 6%
- Instrumentalness
- 94%
- Liveness
- 15%
- Loudness
- 66%
- Speechiness
- 4%
- Valence
- 9%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Vespro della Beata Vergine, SV 206: Psalmus "Laudate Pueri" | Claudio Monteverdi, Raphael Pichon, Ensemble Pygmalion | G Major | 3 | 9B | 134 BPM | |
 | Mass in E-Flat Major, Op. 109, IJR 75 "Cantus Missae": I. Kyrie | Josef Rheinberger, Netherlands Radio Choir, Benjamin Goodson | F Major | 1 | 7B | 79 BPM | |
 | Esti dal (Evening Song) | Zoltán Kodály, Pécs Chamber Choir, Aurél Tillai | D Major | 2 | 10B | 102 BPM | |
 | 4 Shakespeare Songs: No. 1, Come Away Death | Jaakko Mäntyjärvi, Voces Nordicae, Lone Larsen | G Major | 1 | 9B | 128 BPM | |
 | Choral Hymns from the Rig Veda, 3rd Group, Op. 26: No. 4, Hymn of the Travellers | Gustav Holst, Etherea Vocal Ensemble, Grace Cloutier, Derek Greten-Harrison | D Major | 2 | 10B | 94 BPM | |
 | Acclamatio | Damijan Močnik, Westminster Williamson Voices, James Jordan | G Major | 2 | 9B | 82 BPM | |
 | Canticles & Prayers, Inexpressible Wonder: No. 3, It Is Worth Eating | Georgy Sviridov, Latvian Radio Choir, Sigvards Kļava | D Major | 1 | 10B | 83 BPM | |
 | Miserere, Op.44: 6. Domine Deus noster-Molto lento. Poco più mosso, ma lento assai | Henryk Górecki, Los Angeles Master Chorale, Grant Gershon | C Major | 0 | 8B | 126 BPM | |
 | Liturgy of St. John Chrysostom, Op. 41: X. We Sing Thee | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | E Minor | 0 | 9A | 136 BPM | |
 | Holy Spirit Mass: Creator Spirit | Kim André Arnesen, Trondheim Vokalensemble, TrondheimSolistene, Sofi Jeannin | F Major | 0 | 7B | 64 BPM | |
 | Ochre: VII. Geothite | Caroline Shaw, The Crossing, Donald Nally, Dan Schwartz | D Major | 1 | 10B | 128 BPM | |
 | Il desiderio: No. 3, Morir non può il mio cuore | Maddalena Casulana, Singer Pur | E♭ Major | 1 | 5B | 139 BPM | |
 | The Darkness Is No Darkness | Judith Bingham, Hannah Holgersson, Sofia Vokalensemble, Bengt Ollen | F Major | 1 | 7B | 85 BPM | |
 | Mass for Double Choir: V. Agnus dei | Frank Martin, Westminster Choir, Joe Miller | D Major | 1 | 10B | 83 BPM | |
 | Ralph Vaughan Williams: Rest | Lumen Valo | E♭ Major | 0 | 5B | 80 BPM | |
 | Ten Poems on Texts by Revolutionary Poets, Op. 88: No. 5: To Those Condemned to Death | Dmitri Shostakovich, Chorus of the Academy of Choral Arts, Victor Popov | A Major | 0 | 11B | 77 BPM | |
 | Se Per Havervi, Oime | Nordic Chamber Choir - Nicol Matt | D♭ Major | 0 | 3B | 92 BPM | |
 | Katharsis: I. Prelude | Cheryl Frances-Hoad, David Cohen, Paul Hoskins, Rambert Orchestra | G Minor | 0 | 6A | 88 BPM | |
 | Lord, Now Lettest Thou Thy Servant Depart | Pavel Chesnokov, PaTRAM Institute Male Choir, Vladimir Gorbik | C Major | 1 | 8B | 69 BPM | |
| Charles Villiers Stanford: The blue bird | Lumen Valo | F♯ Major | 0 | 2B | 171 BPM | |
 | Ecce Quomodo Moritur | University of King's College Chapel Choir, Paul Halley | E♭ Major | 1 | 5B | 173 BPM | |
 | Diptych: II. Testament | Valentin Silvestrov, Ieva Ezeriete, Kārlis Rūtentāls, Agate Burkina, Latvian Radio Choir, Sigvards Kļava | D Major | 0 | 10B | 80 BPM | |
 | Weinen, Klagen, Sorgen, Zagen | Paul Lay, Joël Suhubiette, Chœur de chambre Les Eléments, Donald Kontomanou, Clemens Van Der Feen | A Major | 1 | 11B | 70 BPM | |
 | Pure river of water of life | James Whitbourn, Commotio, Matthew Berry | B Minor | 0 | 10A | 112 BPM | |
| Mass for Double Choir: III. Credo | Frank Martin, Westminster Choir, Joe Miller | E Minor | 1 | 9A | 135 BPM |
- ISRC
- GBYDS2100431
- Label
- L-M Records/RCA Records