Bimala Rai's ' "K Huncha Ra" was released on its scheduled release date, June 25, 2024. This song is about six minutes long, preciously at 5:31, making this song fairly long compared to other songs. The track order of this song in Bimala Rai's "Mohini" album is number 11 out of 12. On top of that, Sweden appears to be the country where this track was created. Based on our statistics, K Huncha Ra's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of K Huncha Ra by Bimala Rai to be Allegro (fast, quick, and bright) because the track has a tempo of 149 BPM, a half-time of 74BPM, and a double-time of 298 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sapana Timi | Dibya Khaling, Bimala Rai | B Minor | 5 | 10A | 81 BPM | ||
| Rutuk Rutuk Naio | Bibha Debbarma, Biswamani Debbarma | B Minor | 8 | 10A | 100 BPM | ||
| Malai Launa | Dibya Khaling, Bimala Rai | B Minor | 5 | 10A | 81 BPM | ||
| Kaha Thiyau Timi | Shiva Pariyar, Anju Panta | D Major | 8 | 10B | 165 BPM | ||
| Kati Maya Lagchha | Shila Bahadur Moktan, Kunti Moktan | A Major | 5 | 11B | 106 BPM | ||
| Aakha Hunchha | Bimala Rai | C Major | 6 | 8B | 91 BPM | ||
| Kurnu Kuraunu | Anil Singh | C Major | 8 | 8B | 174 BPM | ||
| Tyo Nayan Ko | Prakash Shrestha, Bimala Rai | F Minor | 5 | 4A | 108 BPM | ||
| Aba Ta Maile Ni | Khuman Adhikari, Sunita Dulal | F♯ Major | 7 | 2B | 185 BPM | ||
| Kanchi He Kanchi | Prakash Shrestha, Bimala Rai | C Minor | 7 | 5A | 82 BPM | ||
| Mage Kumariye | Ajith Muthukumarana | G Major | 8 | 9B | 188 BPM | ||
| Banma Fulyo - Original | Milan Newar, NA | E Minor | 6 | 9A | 96 BPM | ||
| Khole Khaye Pani | Raju Lama | E Minor | 6 | 9A | 80 BPM | ||
| Yo Hajurko Muhar | Devika Pradhan, Shambhujeet Baskota | D♭ Major | 9 | 3B | 104 BPM | ||
| Tal Tal Talkine (From "Bir Bikram") | Rajesh Payal Rai, Anila Rai, Tara Prakash Limbu | G Major | 6 | 9B | 80 BPM | ||
| Chanchale Aankha Mero | Sindhu Malla | E Minor | 6 | 9A | 100 BPM | ||
| Na Boleni Hasirakhana | Deepak Limbu | F Major | 5 | 7B | 156 BPM | ||
| Ke Soche The Jindagima Ke ke Bhayo aaja | Sadhana Sargam | G Major | 8 | 9B | 120 BPM | ||
| Manchheko Basti | Karna Das | B Minor | 7 | 10A | 80 BPM | ||
| Gana Thel Sandun | Navarathna Gamage, Saman Jayanath | G Minor | 3 | 6A | 115 BPM | ||
| Pachheuri Leu Baina | Ramji Khand, Bishnu Majhi | F Major | 6 | 7B | 120 BPM | ||
| Kasailai Nabhannu | Deepak Limbu | A♭ Major | 7 | 4B | 78 BPM | ||
| Paschim Pokhara (From "Mr. Ram Krishne) | Umesh Pandey, Devika Bandana, Shambhujeet Baskota | B♭ Minor | 9 | 3A | 104 BPM | ||
| Kaisa Kuisu | Manasi Debbarma, Goutam Debbarma, Biswanath Debbarma | G Major | 4 | 9B | 80 BPM | ||
| Sachirakhu Jasto Lagchha | Bharati Ghimire, Kumar Sanu | G Major | 7 | 9B | 79 BPM |