The Second Service, Op. 62: I. Magnificat by Kenneth Leighton, Durham Cathedral Choir, Ian Shaw, James Lancelot Song Details

"The Second Service, Op. 62: I. Magnificat" by Kenneth Leighton, Durham Cathedral Choir, Ian Shaw, James Lancelot had its release date on February 25, 1990. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 8 out of 16 in Choral Evensong for St. Cuthbert's Day from Durham Cathedral by Durham Cathedral Choir, Ian Shaw, James Lancelot. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The Second Service, Op. 62: I. Magnificat is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

The tempo marking of The Second Service, Op. 62: I. Magnificat by Kenneth Leighton, Durham Cathedral Choir, Ian Shaw, James Lancelot is Larghetto (rather broadly), since this song has a tempo of 66 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

Music Key

This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -28.272 dB
Acousticness: 98%
Danceability: 14%
Energy: 8%
Instrumentalness: 27%
Liveness: 7%
Loudness: 53%
Speechiness: 5%
Valence: 4%

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