Till Brönner's ' "She Was Too Good To Me" was released on its scheduled release date, March 31, 2000. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 3 out of 11 in Chattin' With Chet by Till Brönner. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. She Was Too Good To Me is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of She Was Too Good To Me by Till Brönner is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Landscape | Hans Peter Salentin | C Minor | 6 | 5A | 95 BPM | ||
| Unified Line | Saoco Studio | B♭ Major | 3 | 6B | 90 BPM | ||
| Death by Chocolate | De-Phazz | G Minor | 5 | 6A | 80 BPM | ||
| From Nowhere To Now Here | Philippe Saisse | D♭ Major | 7 | 3B | 97 BPM | ||
| Goognight in Blue | Virtual Sax | B♭ Major | 3 | 6B | 90 BPM | ||
| Panicled | Karim Davis | G Minor | 3 | 6A | 148 BPM | ||
| Backroom Session | Midtown Noir | B♭ Major | 3 | 6B | 90 BPM | ||
| Love Is All We Need | Joo Kraus, Sheryl Hackett | B Major | 7 | 1B | 94 BPM | ||
| Latin Jive Redux | Christian de Mesones | F Minor | 6 | 4A | 124 BPM | ||
| Fields of Unspoken Notes | Oddframe | B♭ Major | 3 | 6B | 90 BPM | ||
| Love is Real | MySOL | B♭ Major | 3 | 6B | 90 BPM | ||
| Rosewood Mirage | AR MoodVibes | E Major | 2 | 12B | 82 BPM | ||
| Distant Bourbon | Midtown Noir | B♭ Major | 3 | 6B | 90 BPM | ||
| In the Wee Small Hours of the Morning | Till Brönner | D♭ Major | 1 | 3B | 108 BPM | ||
| Brasileira | Gabriela Anders | A♭ Minor | 3 | 1A | 142 BPM | ||
| Jazz Where the Night Pauses | Jazz & Co. | B♭ Major | 3 | 6B | 90 BPM | ||
| Fluting | Magnus Lindgren, Till Brönner, Eric Bibb | G Minor | 5 | 6A | 120 BPM | ||
| Is This Love That I'm Feeling? | Nick Colionne | A Minor | 4 | 8A | 84 BPM | ||
| Jump or Pushed | Pit Baumgartner, Joo Kraus, Helena Paul | B♭ Minor | 5 | 3A | 98 BPM | ||
| M.L. In The Sunshine | Count Basic | F Minor | 7 | 4A | 172 BPM | ||
| 11.03. | Thomas Siffling Trio | C Minor | 3 | 5A | 95 BPM | ||
| Swing Time | Novecento, Dominic Miller | D♭ Major | 6 | 3B | 102 BPM | ||
| Mirada perdida | Neomarc | B♭ Major | 3 | 6B | 90 BPM | ||
| Amber Skyline Afterhours | Amber Jazz Trio | B♭ Major | 3 | 6B | 90 BPM | ||
| Rio Sun / E a Gente Assim Täo Só (feat. Till Brönner) | Ivan Lins, Till Brönner | C Major | 4 | 8B | 90 BPM |