Lari White's ' "Where The Lights Are Low" was released on its scheduled release date, April 27, 1993. The duration of This song is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Where The Lights Are Low's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Lari White's "Lead Me Not" album is number 8 out of 10. On top of that, United States appears to be the country where this track was created. In terms of popularity, Where The Lights Are Low is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Where The Lights Are Low by Lari White to be Moderato (at a moderate speed) because the track has a tempo of 111 BPM, a half-time of 56BPM, and a double-time of 222 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The River And The Highway | Pam Tillis | D Major | 4 | 10B | 138 BPM | ||
| Before You Lie | Chely Wright | F♯ Major | 3 | 2B | 100 BPM | ||
| At The End Of The Day | Kellie Coffey | F Major | 7 | 7B | 170 BPM | ||
| Ordinary Life | Chad Brock | E♭ Major | 4 | 5B | 125 BPM | ||
| Somebody's Fool | Lari White | A Major | 3 | 11B | 83 BPM | ||
| She Hasn't Heard It Yet | Jamie O'Neal | B♭ Major | 5 | 6B | 176 BPM | ||
| What I Really Meant To Say | Cyndi Thomson | D♭ Major | 7 | 3B | 140 BPM | ||
| Amazing Grace | Lari White | G Major | 3 | 9B | 82 BPM | ||
| Good as I Was to You | Lorrie Morgan | B Major | 4 | 1B | 134 BPM | ||
| It's A Heartache | Trick Pony | C Major | 8 | 8B | 120 BPM | ||
| Men | Charly McClain | A Major | 6 | 11B | 122 BPM | ||
| Come From The Heart | Kathy Mattea | C Major | 5 | 8B | 177 BPM | ||
| One Solitary Tear | Sherrié Austin | D Major | 6 | 10B | 169 BPM | ||
| John Wayne Walking Away | Lari White | F♯ Minor | 5 | 11A | 101 BPM | ||
| Band of Gold | Charly McClain | E Major | 5 | 12B | 108 BPM | ||
| I Can't Do That Anymore | Faith Hill | F♯ Major | 3 | 2B | 77 BPM | ||
| It Ain't A Party | Mindy McCready | E Minor | 9 | 9A | 190 BPM | ||
| Not Enough Hours in the Night | Doug Supernaw | E Major | 5 | 12B | 128 BPM | ||
| Only When I Love | Holly Dunn | E Major | 5 | 12B | 158 BPM | ||
| Never Been Kissed | Sherrié Austin | F♯ Major | 7 | 2B | 175 BPM | ||
| I'll See You Again Someday | McBride & The Ride | G Major | 2 | 9B | 86 BPM | ||
| Standing Tall | Lorrie Morgan | B♭ Major | 4 | 6B | 84 BPM | ||
| Room With A View | Carolyn Dawn Johnson | A Major | 4 | 11B | 107 BPM | ||
| Texas Plates | Kellie Coffey | F♯ Major | 9 | 2B | 139 BPM | ||
| People Miss Planes | Deana Carter | B♭ Major | 3 | 6B | 72 BPM |