Scheherezade, Op. 35: I. The Sea and Sinbad's Ship by Nikolai Rimsky-Korsakov, Pelin Halkacı Alkın, Sascha Goetzel, Borusan Istanbul Philharmonic Orchestra Song Details

"Scheherezade, Op. 35: I. The Sea and Sinbad's Ship" by Nikolai Rimsky-Korsakov, Pelin Halkacı Alkın, Sascha Goetzel, Borusan Istanbul Philharmonic Orchestra had its release date on July 28, 2014. This song appears to be safe for all ages as it is not explicit. There are a total of 12 in the song's album "Rimsky-Korsakov: Scheherezade, Op. 35". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. Scheherezade, Op. 35: I. The Sea and Sinbad's Ship is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Scheherezade, Op. 35: I. The Sea and Sinbad's Ship by Nikolai Rimsky-Korsakov, Pelin Halkacı Alkın, Sascha Goetzel, Borusan Istanbul Philharmonic Orchestra having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.

Music Key

This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 36%
Loudness: -16.636 dB
Acousticness: 93%
Danceability: 9%
Energy: 14%
Instrumentalness: 80%
Liveness: 23%
Loudness: 72%
Speechiness: 4%
Valence: 4%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Scheherazade: The Fight	Nikolai Rimsky-Korsakov, Joakim Svenheden	E Minor	1	9A	80 BPM
Carmen Suite No. 1: I. Aragonaise	Georges Bizet, Slovak Philharmonic, Anthony Bramall	D Minor	1	7A	112 BPM
Polovetsian Dances from Prince Igor: Moderato alla breve	Alexander Borodin, George Szell, The Cleveland Orchestra	A Major	2	11B	108 BPM
Symphony No. 3 in C Minor, Op. 78 "Organ": Allegro moderato	Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra	A♭ Major	1	4B	109 BPM
Masquerade - Ballet Suite: 1. Waltz	Aram Khachaturian, London Symphony Orchestra, Stanley Black	C Major	3	8B	100 BPM
Concerto for Violin and Cello in A Minor, Op. 102: III. Vivace non troppo	Johannes Brahms, Bernard Haitink, Tim Hugh, Gordan Nikolitch, London Symphony Orchestra	A Major	1	11B	134 BPM
The Rite of Spring, Part 1: II. The Augurs of Spring - Dances of the Young Girls	Igor Stravinsky, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra	B♭ Major	3	6B	115 BPM
Sinfonie Nr. 3 c-Moll, Op. 78, "Orgelsinfonie": 2. Maestoso - Allegro - Più allegro - Molto allegro - Pesante (Ein Schweinchen names Babe): I. Adagio - Allegro moderato -	Camille Saint-Saëns, Imrich Szabo, Slovak Radio Symphony Orchestra, Stephen Gunzenhauser	A♭ Major	1	4B	93 BPM
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia	Aram Khachaturian, London Symphony Orchestra	A♭ Major	1	4B	88 BPM
Enigma Variations, Op. 36: Var. 1. L'istesso tempo "C.A.E."	Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein	G Minor	0	6A	81 BPM
Capriccio Espagnol, Op. 34: 2. Variazioni	Nikolai Rimsky-Korsakov, Gothenburg Symphony Orchestra, Neeme Järvi	F Major	0	7B	80 BPM
Symphony No. 1, Op. 25 in D "Classical": Allegro con brio	Sergei Prokofiev, Yuri Temirkanov	E Minor	0	9A	99 BPM
Il barbiere di Siviglia: Overture (Sinfonia)	Gioachino Rossini, Academy of St. Martin in the Fields, Sir Neville Marriner	E Major	1	12B	92 BPM
Prelude a l'apres-midi d'un faune, L. 86	Claude Debussy, Valery Gergiev, London Symphony Orchestra	D♭ Major	0	3B	77 BPM
Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato	Sergei Rachmaninoff, Yevgeny Sudbin, BBC Symphony Orchestra, Sakari Oramo	C Minor	1	5A	82 BPM
Romeo and Juliet, Op. 64, Act I: Dance of the Knights	Sergei Prokofiev, Vasily Petrenko, Oslo Philharmonic Orchestra	C Major	0	8B	104 BPM
From Holberg's Time, Op. 40: I. Praeludium: Allegro vivace	Edvard Grieg, Moscow Soloists, Yuri Bashmet	G Minor	1	6A	117 BPM
Marche slave, Op. 31, TH 45	Pyotr Ilyich Tchaikovsky, Leonard Bernstein, New York Philharmonic	B♭ Minor	4	3A	109 BPM
Mahler: Blumine	Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas	C Major	1	8B	100 BPM
Zigeunerweisen, Op. 20 (version for violin and orchestra)	Pablo de Sarasate, Ruggiero Ricci, London Symphony Orchestra, Pierino Gamba	C Minor	1	5A	108 BPM
Hungarian Rhapsody No. 2 in C Sharp Minor, S. 244	Franz Liszt, Roberto Szidon	D♭ Major	3	3B	102 BPM
Carmen Suite No. 1: Prélude. Andante moderato (Prelude to Act I) - 2017 Remastered Version	Georges Bizet, Leonard Bernstein, New York Philharmonic	B♭ Major	2	6B	65 BPM
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile	Max Bruch, Joshua Bell, Academy of St. Martin in the Fields	E♭ Major	2	5B	60 BPM
Nocturnes, CD 98: I. Nuages	Claude Debussy, The Cleveland Orchestra, Pierre Boulez	C Major	0	8B	90 BPM
The Miraculous Mandarin Suite, Op. 19: VI. Chase	Béla Bartók, Borusan Istanbul Philharmonic Orchestra, Sascha Goetzel	D Major	2	10B	129 BPM