Tommy Emmanuel's ' "Since We Met" was released on its scheduled release date, March 21, 2025. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Tommy Emmanuel's "Live at The Sydney Opera House" album is number 6 out of 15. In terms of popularity, Since We Met is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Since We Met by Tommy Emmanuel to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dingle Bay Dream | Andrew White | F♯ Major | 1 | 2B | 99 BPM | ||
| The Rooftop Funk | Nathaniel Murphy | A♭ Minor | 3 | 1A | 135 BPM | ||
| Last Post | Phil Emmanuel, Tommy Emmanuel | B♭ Major | 1 | 6B | 69 BPM | ||
| Snowy Morning Blues | Richard Smith | G Major | 3 | 9B | 116 BPM | ||
| We Made It | Maneli Jamal | F♯ Major | 1 | 2B | 115 BPM | ||
| What I Thought I Heard | Tom Anello | D Major | 5 | 10B | 145 BPM | ||
| Nashville Express | Phil Emmanuel, Tommy Emmanuel | D Major | 10 | 10B | 170 BPM | ||
| Danny Boy | Pat Kirtley | A Major | 2 | 11B | 112 BPM | ||
| Love Gone West | Phil Emmanuel, Tommy Emmanuel | B Minor | 7 | 10A | 131 BPM | ||
| No Goodbyes | Don Ross | B Minor | 2 | 10A | 143 BPM | ||
| Fearless | Erik Mongrain | A Major | 3 | 11B | 87 BPM | ||
| Wild Mountain Thyme | Ed Gerhard | B♭ Major | 1 | 6B | 170 BPM | ||
| Ruby's Eyes | Tommy Emmanuel | B Major | 4 | 1B | 107 BPM | ||
| Flowers Of Edinburgh | Albert Lee | D Major | 2 | 10B | 72 BPM | ||
| Secret Love | Tommy Emmanuel, Martin Taylor | A Major | 4 | 11B | 147 BPM | ||
| Insight | Peter Finger | D Major | 5 | 10B | 122 BPM | ||
| The Fingerlakes | Tommy Emmanuel | D Major | 4 | 10B | 123 BPM | ||
| Africa | Michael Fix | D♭ Minor | 2 | 12A | 92 BPM | ||
| Hiding Place For The Moon | Antoine Dufour, Van Larkins, Trevor Gordon Hall | F♯ Minor | 7 | 11A | 166 BPM | ||
| Blackwater Redemption | Western Ambient | B Minor | 3 | 10A | 99 BPM | ||
| Rise and Shine | Phil Emmanuel, Tommy Emmanuel | D Minor | 6 | 7A | 86 BPM | ||
| Come as You Are | Nathaniel Murphy | E Minor | 2 | 9A | 124 BPM | ||
| Tennessee Waltz | El McMeen | E♭ Major | 0 | 5B | 82 BPM | ||
| The Last Fallen Leaf | Chris Jones | E♭ Major | 2 | 5B | 82 BPM | ||
| Heart Like A Wheel | Ed Gerhard | B Major | 2 | 1B | 143 BPM |