"Verdi: Messa da Requiem: XII. Domine Jesu Christe" by Giuseppe Verdi, Riccardo Muti, Cheryl Studer, Dolora Zajic, Luciano Pavarotti, Samuel Ramey, Orchestra Del Teatro Alla Scala, Milano had its release date on January 1, 1987. With this song being around four minutes long, at 4:10, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Verdi: Messa da Requiem by Giuseppe Verdi, Riccardo Muti, Orchestra Del Teatro Alla Scala, Milano. The song's track number on the album is #12 out of 19 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, Verdi: Messa da Requiem: XII. Domine Jesu Christe is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Verdi: Messa da Requiem: XII. Domine Jesu Christe by Giuseppe Verdi, Riccardo Muti, Cheryl Studer, Dolora Zajic, Luciano Pavarotti, Samuel Ramey, Orchestra Del Teatro Alla Scala, Milano has a tempo of 114 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Verdi: Messa da Requiem: XII. Domine Jesu Christe being at 114 BPM, the half-time would be 57 BPM with a double-time of 228 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Der Rosenkavalier, Op.59 / Act 3: "Marie Theres'!" - "Hab mir's gelobt, Ihn lieb zu haben" | Richard Strauss, Yvonne Minton, Régine Crespin, Helen Donath, Otto Wiener, Wiener Philharmoniker, Sir Georg Solti | D♭ Major | 3 | 3B | 90 BPM | ||
| Nabucco / Act 1: Io t'amava! | Giuseppe Verdi, Ghena Dimitrova, Plácido Domingo, Lucia Valentini Terrani, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | G Major | 2 | 9B | 87 BPM | ||
| La Sonnambula: Compagne, temiri amici ....Come per me sereno | Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano, Maria Callas | E♭ Major | 1 | 5B | 170 BPM | ||
| Puccini: La bohème, Act 4: "Vecchia zimarra, senti" (Colline/Schaunard) | Giacomo Puccini, Nicola Zaccaria, Antonino Votto, Orchestra Del Teatro Alla Scala, Milano | D♭ Minor | 1 | 12A | 85 BPM | ||
| L'elisir d'amore / Act 1: Marcia..."Come Paride vezzoso" | Gaetano Donizetti, Dominic Cossa, Dame Joan Sutherland, Maria Casula, Luciano Pavarotti, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | C Major | 2 | 8B | 173 BPM | ||
| Massenet: Werther, Act 3: "Toute mon âme est là !" - "Pourquoi me réveiller" (Werther, Charlotte) | Jules Massenet, Michel Plasson, Alfredo Kraus, Tatiana Troyanos, London Philharmonic Orchestra | G Major | 2 | 9B | 128 BPM | ||
| L'elisir d'amore / Act I: "Lallarallara" | Gaetano Donizetti, Kathleen Battle, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | A♭ Major | 1 | 4B | 90 BPM | ||
| La Traviata / Act 3: "Prendi, quest'è l'immagine" | Giuseppe Verdi, Ileana Cotrubas, Helena Jungwirth, Plácido Domingo, Sherrill Milnes, Giovanni Foiani, Bavarian State Orchestra, Carlos Kleiber | D♭ Major | 2 | 3B | 88 BPM | ||
| Mozart: Requiem in D Minor, K. 626: XIV. Communio | Wolfgang Amadeus Mozart, Riccardo Muti, Patrizia Pace, Stockholm Chamber Choir, Swedish Radio Choir, Berliner Philharmoniker | G Minor | 3 | 6A | 80 BPM | ||
| Lohengrin, WWV 75, Act I Scene 3: Durch Gottes Sieg ist jetzt dein Leben mein | Richard Wagner, Siegfried Jerusalem, Kurt Moll, Cheryl Studer, Waltraud Meier, Hartmut Welker, Wiener Staatsopernchor, Peter Burian, Wiener Philharmoniker, Claudio Abbado | B♭ Major | 6 | 6B | 92 BPM | ||
| Verdi: La forza del destino, Act 3: "Solenne in quest'ora" (Don Alvaro, Don Carlo di Vargas) | Giuseppe Verdi, Riccardo Muti, Giorgio Zancanaro, Plácido Domingo, Orchestra Del Teatro Alla Scala, Milano | E Minor | 0 | 9A | 133 BPM | ||
| Puccini: La bohème, Act 1: "Si può?....Chi è là?" (Benoît/Marcello/Schaunard/Colline/Rodolfo) | Giacomo Puccini, Carlo Badioli, Antonino Votto, Orchestra Del Teatro Alla Scala, Milano | F♯ Minor | 2 | 11A | 109 BPM | ||
| L'elisir d'amore / Act 1: "Adina credimi...Fra lieti concenti" | Gaetano Donizetti, Luciano Pavarotti, Dominic Cossa, Dame Joan Sutherland, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | E♭ Major | 3 | 5B | 87 BPM | ||
| Benvenuto Cellini / Act I: "Les belles fleures" - "Entre l'amour et le devoir" - Quand j'aurai votre âge | Hector Berlioz, Anna Netrebko, Wiener Philharmoniker, Gianandrea Noseda | A Major | 2 | 11B | 83 BPM | ||
| Un ballo in maschera / Act 1: "E la destra d'un grande" - "E scherzo od è follia" | Giuseppe Verdi, Elena Obraztsova, Edita Gruberova, Plácido Domingo, Ruggero Raimondi, Giovanni Foiani, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | B♭ Minor | 1 | 3A | 78 BPM | ||
| Bellini: Norma, Act 1: "Oh! Rimembranza!" (Norma, Adalgisa) | Vincenzo Bellini, Maria Callas, Christa Ludwig, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano | F Major | 2 | 7B | 170 BPM | ||
| Cavalleria rusticana: Duet. Ah! lo vedi – Turiddu, ascolta! | Pietro Mascagni, Fiorenza Cossotto, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | F Minor | 3 | 4A | 133 BPM | ||
| Bellini: Norma, Act 1: "Me protegge, me difende" (Pollione) | Vincenzo Bellini, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Franco Corelli | E♭ Major | 3 | 5B | 74 BPM | ||
| Mozart: Requiem in D Minor, K. 626: XI. Sanctus | Wolfgang Amadeus Mozart, Riccardo Muti, Stockholm Chamber Choir, Swedish Radio Choir, Berliner Philharmoniker | D Major | 3 | 10B | 77 BPM | ||
| Verdi: Messa da Requiem: VIII. Recordare | Giuseppe Verdi, Riccardo Muti, Cheryl Studer, Dolora Zajic, Orchestra Del Teatro Alla Scala, Milano | C Major | 2 | 8B | 114 BPM | ||
| L'elisir d'amore / Act 2: "Io già m'immagino" - "Come sen va contento!" | Gaetano Donizetti, Luciano Pavarotti, Dame Joan Sutherland, Spiro Malas, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | F Major | 3 | 7B | 138 BPM | ||
| La bohème, Act I: Non sono in vena! – Si sente meglio? | Giacomo Puccini, Luciano Pavarotti, Mirella Freni, Berliner Philharmoniker, Herbert von Karajan | A Major | 0 | 11B | 90 BPM | ||
| La bohème, Act I: Si sente meglio? | Giacomo Puccini, Luciano Pavarotti, Mirella Freni, Berliner Philharmoniker, Herbert von Karajan | D Minor | 1 | 7A | 124 BPM | ||
| Norma (1997 Digital Remaster), ACT 2, Scene 3: Norma! ... deh! Norma, scòlpati! (Coro/Norma/Pollione/Oroveso) | Vincenzo Bellini, Maria Callas, Franco Corelli, Nicola Zaccaria, Coro Del Teatro Alla Scala Di Milano, Noberto Mola, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano, Orchestra Del Teatro Alla Scala Di Milan | G Major | 1 | 9B | 76 BPM | ||
| Mascagni: Cavalleria rusticana: "Gli aranci olezzano" (Coro) | Pietro Mascagni, Riccardo Muti, Ambrosian Opera Chorus, Philharmonia Orchestra | A Major | 1 | 11B | 76 BPM |