"Mid-Winter: Mid-Winter (version for mixed chorus and piano) [Version for choir and piano]" by Bob Chilcott, Wellensian Consort, Gemma Beeson, Christopher Finch had its release date on May 7, 2013. With this song being around four minutes long, at 4:20, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 12 out of 23 in Chilcott: Everyone Sang - A Little Jazz Mass by Bob Chilcott, Wellensian Consort, Christopher Finch. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Mid-Winter: Mid-Winter (version for mixed chorus and piano) [Version for choir and piano] is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mid-Winter: Mid-Winter (version for mixed chorus and piano) [Version for choir and piano] by Bob Chilcott, Wellensian Consort, Gemma Beeson, Christopher Finch is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Christmas Oratorio: II. The Angel Gabriel | Bob Chilcott, Nick Pritchard, Sarah Connolly, Tim Burton, Chloe Vincent, Olivia Jageurs, Benjamin Nicholas, Oxford Contemporary Sinfonia, Choir of Merton College, Oxford | D♭ Major | 1 | 3B | 80 BPM | ||
| Cantate Domino | Marco Enrico Bossi, Oscars Motettkör, Alf Linder, Torsten Nilsson | E♭ Major | 1 | 5B | 136 BPM | ||
| Verbum caro factum est | Hans Leo Hassler, London Oratory Schola Cantorum, Charles Cole | G Major | 2 | 9B | 83 BPM | ||
| Traditional: The Angel Gabriel | Traditional, Edward Higginbottom, Choir of New College, Oxford | A Minor | 1 | 8A | 80 BPM | ||
| Alma Redemptoris Mater - Ed. J. Dixon | Giovanni Pierluigi da Palestrina, Julian Podger, The Monteverdi Choir, John Eliot Gardiner | E♭ Major | 0 | 5B | 133 BPM | ||
| Ave Regina caelorum | Tomás Luis de Victoria, The Cambridge Singers, John Rutter | F♯ Minor | 0 | 11A | 107 BPM | ||
| Pavane for a Silent Night (Live) | Bel Canto Choir Vilnius | C Major | 2 | 8B | 83 BPM | ||
| Hosianna, Davids Son | Georg Joseph Vogler, Oscars Motettkör, Alf Linder, Torsten Nilsson | A Major | 2 | 11B | 66 BPM | ||
| Adeste fideles (Arr. D. Willcocks, G. Pedersen & G. Larsen for Choir & Chamber Ensemble) | John Francis Wade, The Norwegian Soloists' Choir, Grete Pedersen, Gjermund Larsen, Marco Ambrosini, Sondre Meisfjord, Andreas Utnem | G Major | 3 | 9B | 83 BPM | ||
| Strålande helgonfe | Kfum Ursus Kammarkör | E♭ Minor | 1 | 2A | 79 BPM | ||
| Carol of the Magi | John Rutter, Tim Gill, The Cambridge Singers, Royal Philharmonic Orchestra, Gabriel Crouch | E♭ Major | 1 | 5B | 120 BPM | ||
| Hark! The Herald Angels Sing - Fanfare | Felix Mendelssohn, The Bach Choir, The Philip Jones Brass Ensemble, David Corkhill, John Scott, Sir David Willcocks | G Major | 2 | 9B | 122 BPM | ||
| L’enfance du Christ, Op. 25, H 130, Pt. 2: II. L’adieu des bergers (Sung in English) | Hector Berlioz, The Cambridge Singers, City of London Sinfonia, John Rutter | A Major | 1 | 11B | 71 BPM | ||
| Härlig är jorden | Traditional, Håkan Hagegård, Adolf Fredrik Bach Choir, Anders Öhrwall | C Major | 1 | 8B | 82 BPM | ||
| Sacred and Profane - Eight Medieval Lyrics, Op. 91: Yif ic of luve can | Benjamin Britten, The Choir Of Trinity College, Cambridge | F♯ Major | 0 | 2B | 63 BPM | ||
| Stella natalis: Lullay | Karl Jenkins, Polyphony, Stephen Layton | A Major | 1 | 11B | 133 BPM | ||
| God is with Us: Christmas Proclamation | John Tavener, Choir of St. John's College, Cambridge, Christopher Robinson | C Major | 0 | 8B | 138 BPM | ||
| Quem Pastores? (Arr. Nigel Short) | Tenebrae, Nigel Short | B Major | 1 | 1B | 80 BPM | ||
| Es ist ein Ros' entsprungen (Arr. J. Rutter for Oboe & Choir) | Michael Praetorius, The Cambridge Singers, John Roberts, John Rutter | D Minor | 0 | 7A | 73 BPM | ||
| Midwinter | Bob Chilcott, Clara Voce, Andreas Karthäuser, Alexander Müller | G Major | 0 | 9B | 72 BPM | ||
| Bruckner: Ave Maria, WAB 6 | Anton Bruckner, Edward Higginbottom, Choir of New College, Oxford | F Major | 0 | 7B | 169 BPM | ||
| The Snow | Edward Elgar, Ensemble LaCappella, LaCappella 2.0, LaCappella Nuova, Karen von Trotha, Freya Ritts-Kirby, Lars Keitel, Veronika Bauer | E♭ Major | 2 | 5B | 73 BPM | ||
| Of the Father's Heart Begotten | The Sixteen | E Major | 1 | 12B | 79 BPM | ||
| Glory to Thee, My God, This Night | Thomas Tallis, John Rutter, The Cambridge Singers | G Major | 1 | 9B | 133 BPM | ||
| Silent Night (Arr. for Choir & Orchestra by Bob Chilcott) | Franz Xaver Gruber, London Choral Sinfonia, Michael Waldron | C Major | 2 | 8B | 124 BPM |