On February 3, 2010, the song "Jaha Pada Chhuin" was released by Mohammed Aziz. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Swaroop Naik's "Matru Shakti" album is number 2 out of 7. On top of that, India appears to be the country where this track was created. Based on our statistics, Jaha Pada Chhuin's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Jaha Pada Chhuin by Mohammed Aziz to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| O Meri Mehbooba Mehbooba Mehbooba - From "Dharam Veer" | Mohammed Rafi | D Major | 8 | 10B | 97 BPM | ||
| Hum Tumhen Chahte Hain - From "Qurbani" | Kanchan, Manhar, Anand | F Major | 4 | 7B | 96 BPM | ||
| Main Rahun Tum Raho Doosra Koi Na Ho | Asha Bhosle, Mohammed Aziz | C Minor | 7 | 5A | 144 BPM | ||
| Tumhi Ne Meri Zindagi | Babul Supriyo | F♯ Minor | 8 | 11A | 120 BPM | ||
| Tumse Milkar Na Jane (Male Version) | Shabbir Kumar | E♭ Major | 5 | 5B | 102 BPM | ||
| Palki Pe Hoke Sawar | Priyesh Vakil | D♭ Major | 7 | 3B | 92 BPM | ||
| Hum Tumhein Itna Pyar Karenge | Mohammed Aziz, Anuradha Paudwal | F Minor | 7 | 4A | 78 BPM | ||
| Tumse Kitna | Altaf Raja | G Minor | 7 | 6A | 95 BPM | ||
| Aaj Kal Yaad Kuch Aur Rehta Nahin | Mohammed Aziz | D Major | 6 | 10B | 123 BPM | ||
| Naam Saare Mujhe Bhool Janey Lagey | Lata Mangeshkar, Mohammed Aziz | G Minor | 8 | 6A | 86 BPM | ||
| Marhaba Sayyedi | Mohammed Aziz, Maulana Qudsi | A Minor | 7 | 8A | 164 BPM | ||
| Main Ek Raja Hoon | Mohammed Rafi, Laxmikant–Pyarelal | F Minor | 7 | 4A | 80 BPM | ||
| Aankhen Hi Na Royee | Altaf Raja | F♯ Major | 5 | 2B | 140 BPM | ||
| Teri Jawani Badi Mast Mast Hai | Iqbal Afjal Sabri, Anupama | B Minor | 9 | 10A | 130 BPM | ||
| Kuch Der Pehle Kuch | Alka Yagnik, Mohammed Aziz | D♭ Minor | 9 | 12A | 108 BPM | ||
| Husn Hai Suhana | Chandana Dixit, Abhijeet | D♭ Major | 9 | 3B | 127 BPM | ||
| Commentry Tabassum And Chingari Koi Bhadke | Tabassum, Kishore Kumar, R. D. Burman | B Minor | 4 | 10A | 87 BPM | ||
| Badi Door Badi Door Chala | Agam Kumar Nigam, Tulsi Kumar | D♭ Minor | 6 | 12A | 75 BPM | ||
| Main Shair To Nahin | Shailendra Singh, Laxmikant–Pyarelal | E Minor | 5 | 9A | 144 BPM | ||
| Yaad Aa Raha Hai | Bappi Lahiri | E♭ Major | 6 | 5B | 134 BPM | ||
| Ishq Na Karna Ishq Na Karna | Agam Kumar Nigam, Tulsi Kumar | C Minor | 6 | 5A | 127 BPM | ||
| Chaukhat Pe Tumhari Hum | Kumar Sanu, Mohammed Aziz, Sapna Mukherjee | G Minor | 5 | 6A | 88 BPM | ||
| Chitthi Aai Hai | Pankaj Udhas, Laxmikant–Pyarelal | C Major | 7 | 8B | 83 BPM | ||
| Ham To Chale Pardes | Mohammed Rafi, Laxmikant–Pyarelal | E♭ Minor | 4 | 2A | 132 BPM | ||
| Kahan Aa Gaye Hum | Lata Mangeshkar, Mohammed Aziz | A♭ Major | 8 | 4B | 79 BPM |