Yules, Henk Hofstede's 'First We Take Manhattan' had a release date set for October 20, 2014. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Yules's "I'm Your Man... Naked" album is number 1 out of 8. On top of that, France appears to be the country where this track was created. Based on our statistics, First We Take Manhattan's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of First We Take Manhattan by Yules, Henk Hofstede to be Allegro (fast, quick, and bright) because the track has a tempo of 125 BPM, a half-time of 62BPM, and a double-time of 250 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Saturday Morning On Sunday Street | Mark Olson & Gary Louris | A Minor | 1 | 8A | 92 BPM | ||
| Hugo | The Tellers | E Minor | 7 | 9A | 100 BPM | ||
| Giant | Herman Düne | B♭ Major | 4 | 6B | 124 BPM | ||
| Aqualast | Rover | E Minor | 7 | 9A | 155 BPM | ||
| Matin Pas En Mai | Moriarty, Mama Rosin | C Major | 3 | 8B | 90 BPM | ||
| The Releases | Yules | F♯ Major | 4 | 2B | 172 BPM | ||
| The Red Room | Venus | E Minor | 5 | 9A | 72 BPM | ||
| Km 83 | Françoiz Breut | D♭ Minor | 4 | 12A | 114 BPM | ||
| Dreamers | Claire Denamur | D Minor | 2 | 7A | 79 BPM | ||
| Baby's Coming Back To Me | Jarvis Cocker | C Major | 3 | 8B | 170 BPM | ||
| Where the Dreams Go to Die | John Grant | C Major | 3 | 8B | 115 BPM | ||
| The Stoy Of The Impossible | Peter von Poehl | E♭ Major | 4 | 5B | 77 BPM | ||
| Our Mutual Friend | The Divine Comedy | F Major | 1 | 7B | 100 BPM | ||
| More | Fredrika Stahl | D Major | 1 | 10B | 98 BPM | ||
| It's Only Light | Diagrams | E♭ Minor | 1 | 2A | 80 BPM | ||
| Lover Still You | Tom McRae | B Minor | 5 | 10A | 120 BPM | ||
| Harmony Around My Table | Tindersticks | E Major | 6 | 12B | 126 BPM | ||
| Something to Believe | Isobel Campbell, Mark Lanegan | D Major | 2 | 10B | 139 BPM | ||
| Short Song for a Short Mind | Girls In Hawaii | F♯ Minor | 8 | 11A | 125 BPM | ||
| So Strong | Mellower | G Minor | 6 | 6A | 82 BPM | ||
| Catherine the Great | The Divine Comedy | D Major | 5 | 10B | 112 BPM | ||
| Bird On the Wire | Rosemary Standley, Dom La Nena, Birds on a Wire | G Major | 1 | 9B | 116 BPM | ||
| Private Lily | Moriarty | B Minor | 5 | 10A | 106 BPM | ||
| Roy Orbison | The Magic Numbers | E Major | 5 | 12B | 110 BPM | ||
| Peacemaker | Mono Town | D♭ Minor | 8 | 12A | 116 BPM |