Mohammed Rafi's ' "Chheda Mera Dil Ne Tarana" was released on its scheduled release date, January 1, 1962. This song is about six minutes long, preciously at 5:33, making this song fairly long compared to other songs. The song is number 3 out of 8 in Asli Naqli by Shankar Jaikishan, Hasrat Jaipuri, Shailendra. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Chheda Mera Dil Ne Tarana is currently below average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Chheda Mera Dil Ne Tarana by Mohammed Rafi is Andante (at a walking pace), since this song has a tempo of 107 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Teri Tasveer Mil Gayi | Shabbir Kumar, R. D. Burman | G Major | 4 | 9B | 49 BPM | ||
| Kahe Koyal Shor Machaye Re | Shamshad Begum | A♭ Major | 5 | 4B | 180 BPM | ||
| Raah Bani Khud Manzil | Hemant Kumar | D♭ Minor | 5 | 12A | 114 BPM | ||
| Dhadakte Dil Ki Tamanna | Suraiya | B♭ Major | 6 | 6B | 72 BPM | ||
| Main Aashiq Hoon Baharon Ka | Mukesh | F Major | 6 | 7B | 149 BPM | ||
| Ye Zamin Gaa Rahi Hai - Teri Kasam / Soundtrack Version | Amit Kumar, R. D. Burman | F♯ Minor | 5 | 11A | 137 BPM | ||
| Are Yaar Meri Tum Bhi Ho Ghazab | Kishore Kumar, Asha Bhosle, S. D. Burman | F♯ Minor | 7 | 11A | 125 BPM | ||
| Yun Na Sharma Phailade | Kishore Kumar, Mohammed Rafi | A♭ Major | 3 | 4B | 75 BPM | ||
| Dekho Pyar Men Aesa Nahin Karte | Amit Kumar, Alka Yagnik | G Major | 4 | 9B | 80 BPM | ||
| Tum Ko Pata Hai | Pushpa, Ashok Khosla, Murlidhar | F♯ Major | 6 | 2B | 109 BPM | ||
| Chhodenge Na Hum Tera Saath | Anuradha Paudwal, Mohammed Aziz | F♯ Minor | 7 | 11A | 91 BPM | ||
| Dil Khush Hain Aaj | Mohammed Rafi | F♯ Major | 5 | 2B | 115 BPM | ||
| Dost Kahan Koi Tumsa | Manna Dey, Hemant Kumar | A Major | 5 | 11B | 109 BPM | ||
| Dharti Meri Mata Pita Aasman | Jaspal Singh | D Major | 7 | 10B | 89 BPM | ||
| Awaz De Kahan Hai | Noor Jehan, Surendra | E Major | 2 | 12B | 76 BPM | ||
| Sun Ke Teri Pukar | Hemlata | E Major | 3 | 12B | 88 BPM | ||
| Tere Mere Pyar Ki | Mohammed Aziz, Kavita Krishnamurthy | E Major | 9 | 12B | 129 BPM | ||
| Gagan Yeh Samjhe Chand Sukhi Hai | Jaspal Singh | B Major | 4 | 1B | 125 BPM | ||
| Phir Wohi Sham Wohi Gham | Talat Mahmood | D♭ Major | 4 | 3B | 76 BPM | ||
| Tujhe Dekh Kar Jagwale | K. J. Yesudas | B Major | 4 | 1B | 125 BPM | ||
| Strepcils Voice Over And Rimjhim Ke Tarane Leke Aai Barsaat | Geeta Dutt, Mohammed Rafi, S. D. Burman | F♯ Major | 7 | 2B | 101 BPM | ||
| Lag Ja Gale Se | Nitin Mukesh, Usha Mangeshkar | E Major | 5 | 12B | 77 BPM | ||
| Door Rah Kar Na Karo Baat | Mohammed Rafi | A Major | 7 | 11B | 81 BPM | ||
| Main Pal Do Pal Ka Shair Hoon With Dialogue By Amitabh | Amitabh Bachchan, Mukesh | F Major | 4 | 7B | 129 BPM | ||
| O Zindagi Ke Denewale | Hemant Kumar | F Minor | 5 | 4A | 72 BPM |