石元丈晴's ' "「プレリュード - arrange -」 from DISSIDIA FINAL FANTASY -Arcade-" was released on its scheduled release date, 1987. The duration of This song is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. 「プレリュード - arrange -」 from DISSIDIA FINAL FANTASY -Arcade-'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 33 in DISSIDIA FINAL FANTASY -Arcade- ORIGINAL SOUNDTRACK by SQUARE ENIX MUSIC. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. In terms of popularity, 「プレリュード - arrange -」 from DISSIDIA FINAL FANTASY -Arcade- is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of 「プレリュード - arrange -」 from DISSIDIA FINAL FANTASY -Arcade- by 石元丈晴 is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Step Ahead | Falcom Sound Team jdk | C Minor | 9 | 5A | 100 BPM | ||
| Alien Manifestation | 岡部啓一, 帆足圭吾 | A Major | 5 | 11B | 144 BPM | ||
| Final Fantasy VI: Phantom Forest – Phantom Train – the Veldt | Arnie Roth, Distant Worlds Philharmonic Orchestra | A Minor | 4 | 8A | 93 BPM | ||
| Iclucian Dance | Falcom Sound Team jdk | A Minor | 9 | 8A | 145 BPM | ||
| Those Who Stand Against the Darkness | 土屋俊輔 | B Minor | 9 | 10A | 96 BPM | ||
| The One They Call the Witch | Yasunori Nishiki | B♭ Minor | 8 | 3A | 174 BPM | ||
| The Landing (from "Final Fantasy VIII") | Alex Moukala | G Major | 5 | 9B | 104 BPM | ||
| FFVII REMAKE: S7-6 Annex Diversion | 中村佳紀, 植松 伸夫 | A♭ Major | 5 | 4B | 136 BPM | ||
| Onslaught | 上松範康 | D Major | 7 | 10B | 179 BPM | ||
| Managarmr, Sequestration Primal - Part 1 | Tsutomu Narita | F Major | 1 | 7B | 90 BPM | ||
| Second to None | Nao Tokisawa, Hidenori Maezawa | G Major | 8 | 9B | 132 BPM | ||
| 「クリスタルの使徒」 from FINAL FANTASY 零式 - arrange | 石元丈晴, 伊藤クリス | E Minor | 8 | 9A | 84 BPM | ||
| Zero | Stella Magna | C Major | 8 | 8B | 112 BPM | ||
| Onslaught - Band Exvius Version | 上松 範康 | E Minor | 10 | 9A | 90 BPM | ||
| One Blood | FILM SCORE | B♭ Minor | 5 | 3A | 130 BPM | ||
| Final Battle | Masashi Hamauzu | G Minor | 8 | 6A | 100 BPM | ||
| Veiled in Black | Yoko Shimomura | G Minor | 9 | 6A | 160 BPM | ||
| 「This is the Last Battle - arrange -」 from FINAL FANTASY III | SQUARE ENIX MUSIC | A Minor | 8 | 8A | 163 BPM | ||
| Spiral of Erebos | Falcom Sound Team jdk | G Minor | 8 | 6A | 112 BPM | ||
| Perpetual Battlefield | 鈴木光人 | B♭ Minor | 8 | 3A | 160 BPM | ||
| Unavoidable Battle | 岩田 匡治 | F♯ Minor | 4 | 11A | 98 BPM | ||
| The Sky's the Limit! | Junpei Fujita | A Minor | 7 | 8A | 128 BPM | ||
| Air Force Base -USA Stage- | Masahiro Aoki | F Major | 10 | 7B | 140 BPM | ||
| Calamitytrigger | Arc System Works | C Minor | 10 | 5A | 145 BPM | ||
| Ascension (Final Fantasy XVI) | Arnie Roth, Distant Worlds Philharmonic Orchestra | B Minor | 2 | 10A | 63 BPM |