Peter Bradley Adams's 'Come Tomorrow' had a release date set for April 21, 2017. With this song being around four minutes long, at 4:16, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 9 out of 9 in A Face Like Mine by Peter Bradley Adams. Going off of the ISRC code of this track, we detected that the origin of this track is from Turks and Caicos Islands. Based on our statistics, Come Tomorrow's popularity is below average in popularity right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Come Tomorrow by Peter Bradley Adams is Allegro (fast, quick, and bright), since this song has a tempo of 145 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I Can’t Go Back Now | Matthew Perryman Jones | B Minor | 3 | 10A | 76 BPM | ||
| Frame for One | Jesse Marchant | A♭ Major | 5 | 4B | 156 BPM | ||
| Hang On, Hang On | Amos Lee | F♯ Major | 2 | 2B | 135 BPM | ||
| You're Free Now (feat. Sarah Jarosz) | Anthony da Costa, Sarah Jarosz | E Major | 2 | 12B | 148 BPM | ||
| Midnight Hour | Sierra Eagleson | F Major | 2 | 7B | 134 BPM | ||
| Mexico | Ed Patrick | D Major | 3 | 10B | 127 BPM | ||
| A Place | Ocie Elliott | A Major | 3 | 11B | 85 BPM | ||
| Didn’t Know Love | Mipso | F Major | 3 | 7B | 80 BPM | ||
| Brave | Ruston Kelly | D♭ Major | 1 | 3B | 164 BPM | ||
| Over My Head | Freyr | A Major | 3 | 11B | 100 BPM | ||
| If I Were a River | Robby Hecht | F Major | 0 | 7B | 95 BPM | ||
| See You Soon | Austin Basham | B♭ Major | 4 | 6B | 152 BPM | ||
| My Good Friends | Donovan Woods | E♭ Major | 4 | 5B | 103 BPM | ||
| One Picture | Peter Bradley Adams | E♭ Major | 2 | 5B | 84 BPM | ||
| Fool For Waiting | Dan Mangan | G Major | 3 | 9B | 92 BPM | ||
| Honeymoon Phase / Wide Awake & Dreaming | OSKA, Stu Larsen | F Minor | 2 | 4A | 97 BPM | ||
| Read About Memory | Donovan Woods | E♭ Major | 2 | 5B | 80 BPM | ||
| How Far This Road Goes | Gareth Dunlop | D Major | 3 | 10B | 88 BPM | ||
| River Swimming | Jill Andrews | B Major | 3 | 1B | 140 BPM | ||
| White Fawn | Beta Radio | B♭ Major | 3 | 6B | 116 BPM | ||
| Pasture | Down Like Silver | G Major | 3 | 9B | 51 BPM | ||
| Dirty Rain | Andrew Combs | A♭ Major | 3 | 4B | 125 BPM | ||
| More I See | S. Carey | E Major | 5 | 12B | 141 BPM | ||
| The God of Loss | Darlingside | D Major | 3 | 10B | 138 BPM | ||
| New Jerusalem | Bear's Den | G Major | 4 | 9B | 114 BPM |