"These People Ought To Know Who We Are And Tell That We Are Here" by Crime In Stereo had its release date on September 30, 2008. For a fairly short song, this song is "These People Ought To Know Who We Are And Tell That We Are Here" is considered an explicit song with a duration of 0:46. There are a total of 10 in the song's album "Selective Wreckage". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. In terms of popularity, These People Ought To Know Who We Are And Tell That We Are Here is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With These People Ought To Know Who We Are And Tell That We Are Here by Crime In Stereo having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
B Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Frisky Business | Daggermouth | B Major | 9 | 1B | 116 BPM | ||
| Grow on, Grow up, Grow out | Moving Mountains | D♭ Major | 6 | 3B | 160 BPM | ||
| Sputter | Kali Masi | D♭ Major | 9 | 3B | 170 BPM | ||
| My Own Disaster | Small Brown Bike | A♭ Major | 10 | 4B | 104 BPM | ||
| Seamless | Grade | G Major | 8 | 9B | 84 BPM | ||
| Boom, Roasted | Crucial Dudes | C Minor | 9 | 5A | 110 BPM | ||
| Good Times | Pianos Become The Teeth | C Major | 9 | 8B | 81 BPM | ||
| Glass, Irony | Prawn | F♯ Major | 10 | 2B | 145 BPM | ||
| Seven Stop Hold Restart | Bear Vs. Shark | E Minor | 9 | 9A | 105 BPM | ||
| Midnight: Carroll Street | Into It. Over It. | F Major | 8 | 7B | 129 BPM | ||
| Story Of A Free Man - Chapter Two: The Cold Return | VERSE | F♯ Major | 10 | 2B | 146 BPM | ||
| Alleviate | Moving Mountains | D Major | 10 | 10B | 175 BPM | ||
| Everyday Doops | Timeshares | C Major | 9 | 8B | 105 BPM | ||
| Stolen Bikes Ride Faster | Grade | A Major | 10 | 11B | 88 BPM | ||
| Fade In, Fade Out | The Forecast | E Minor | 9 | 9A | 93 BPM | ||
| The World We Claim | Koyo | D♭ Major | 7 | 3B | 151 BPM | ||
| Heart Attack At Thirty | Polar Bear Club | A Minor | 9 | 8A | 145 BPM | ||
| Fred Dekker | End Of A Year | F♯ Major | 7 | 2B | 150 BPM | ||
| Survival Of The Fondest | Such Gold | A♭ Major | 10 | 4B | 92 BPM | ||
| Since Always | American Nightmare | A Major | 10 | 11B | 190 BPM | ||
| Shape Of The Fear | Knapsack | E Major | 7 | 12B | 142 BPM | ||
| Feels Like End Times | Modern Life Is War | F Minor | 7 | 4A | 137 BPM | ||
| Lo zee rose | The Draft | F♯ Minor | 9 | 11A | 134 BPM | ||
| Roam with a Ghost | Ways Away | E Minor | 9 | 9A | 133 BPM | ||
| Everyone I Know (The Optimist) | Ways Away | G Major | 8 | 9B | 165 BPM |