"Takes One" by Naima Bock had its release date on September 27, 2024. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 7 out of 10 in Below a Massive Dark Land by Naima Bock. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Takes One's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Takes One by Naima Bock is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Light Showroom | Mess Esque | A♭ Minor | 4 | 1A | 182 BPM | ||
| See People | Dead Gowns | F♯ Major | 4 | 2B | 90 BPM | ||
| Too Long | Ora Cogan | F Major | 4 | 7B | 78 BPM | ||
| Give it Back | Clarissa Connelly | D♭ Major | 3 | 3B | 95 BPM | ||
| Aegean blue | Common Holly | E♭ Major | 2 | 5B | 146 BPM | ||
| On Passing | Maia Friedman | B Major | 3 | 1B | 152 BPM | ||
| Patterns in Repeat | Laura Marling | F♯ Major | 1 | 2B | 111 BPM | ||
| Rain | Merce Lemon | B Minor | 4 | 10A | 128 BPM | ||
| I Want You Here | Sharon Van Etten | G Major | 5 | 9B | 140 BPM | ||
| Call for Me | Camp Saint Helene | D♭ Major | 1 | 3B | 178 BPM | ||
| Feed My Release | Naima Bock | A♭ Minor | 1 | 1A | 84 BPM | ||
| baby blue frigidaire mini fridge | Ada Lea | G Major | 5 | 9B | 133 BPM | ||
| Audience of One | Charlotte Cornfield | B♭ Major | 1 | 6B | 108 BPM | ||
| Emmagen Creek | Ruby Gill | B Major | 2 | 1B | 136 BPM | ||
| Would You Like to Take a Walk | Miriam Elhajli | F♯ Major | 2 | 2B | 135 BPM | ||
| Crow | Merce Lemon | B♭ Major | 4 | 6B | 139 BPM | ||
| Solitaire | S.G. Goodman | E Major | 1 | 12B | 108 BPM | ||
| Three Five | Sam Amidon | E♭ Minor | 3 | 2A | 127 BPM | ||
| Drifiting | Ora Cogan | F Minor | 2 | 4A | 98 BPM | ||
| To be a rose | Jenny Hval | G Major | 5 | 9B | 156 BPM | ||
| Keep Me on Your Mind | Bonny Light Horseman | C Major | 6 | 8B | 146 BPM | ||
| Three Big Moons | Why Bonnie | E♭ Major | 5 | 5B | 112 BPM | ||
| Morning Morgantown | Jesca Hoop | A Major | 2 | 11B | 135 BPM | ||
| Song two | caroline | A Major | 8 | 11B | 129 BPM | ||
| Bells | These New Puritans | D Minor | 2 | 7A | 79 BPM |