On May 22, 2017, the song "More Saiya Ruske Pardesh Chale Gaye" was released by Mitha Lal Chakraborty, Parvati Rajput. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 8 in Bandar Le Gaya Gagariya by Mitha Lal Chakraborty, Parvati Rajput. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, More Saiya Ruske Pardesh Chale Gaye's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of More Saiya Ruske Pardesh Chale Gaye by Mitha Lal Chakraborty, Parvati Rajput is Vivace (lively and fast), since this song has a tempo of 157 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mere Man Mein Bhi Ram Mere Tan Mein Bhi Ram | Dhiraj Sharma | B Minor | 5 | 10A | 102 BPM | ||
| Bhajlo Dadaji ka Naam | Om Prakesh Tirole | D♭ Major | 4 | 3B | 86 BPM | ||
| Bankey Bihari Lal Teri Jai Hove | Mridul Krishan Shastri | F♯ Minor | 6 | 11A | 151 BPM | ||
| Mo Kaliaa Khauchhi | Arabinda Muduli | B Major | 9 | 1B | 129 BPM | ||
| To Ratha Tanu Tanu | Md.Aziz | C Minor | 9 | 5A | 130 BPM | ||
| Hatre Mor Mutha Mutha | Bhikari Bal | F♯ Major | 4 | 2B | 133 BPM | ||
| Pani Re Ay Pawan | Mamta Chandarkar | F Major | 6 | 7B | 156 BPM | ||
| Kali Teri Gut | Asa Singh Mastana | A Major | 5 | 11B | 76 BPM | ||
| Eadha Rani Ka Naam | Baba Rasika Pagal | E♭ Major | 7 | 5B | 175 BPM | ||
| उस गोरखनाथ फकीर ने बागा में चिमटा गाड दिया | Ma.Rajphool Kuchrania | B Major | 6 | 1B | 144 BPM | ||
| Lalaji Ban Gaye Teacher | Kids Channel India | F♯ Major | 7 | 2B | 105 BPM | ||
| Bajrangi Ki Pooja Se Sab Kaam Hota Hai | Lakhbir Singh Lakkha | B♭ Major | 6 | 6B | 79 BPM | ||
| Meri Ankhiyon Ke Samne | Lakhbir Singh Lakkha | D♭ Major | 9 | 3B | 102 BPM | ||
| Padharo Mhara Bheruji | Chotu Singh Rawna | A♭ Major | 10 | 4B | 119 BPM | ||
| Chha Khanda Kaathare | Narendra Kumar | D♭ Major | 7 | 3B | 89 BPM | ||
| Bure Kaam Ka Bura Natija | Sanjay Mittal | B♭ Minor | 9 | 3A | 88 BPM | ||
| Mun Katha Ta Deichi | Subash Dash | A♭ Minor | 6 | 1A | 82 BPM | ||
| Chalo Daras Bar | Dukalu Yadav | D♭ Major | 6 | 3B | 80 BPM | ||
| Raja Piy Jani Gaanja Ho Kharaab Ho Jaibai | Bharat Sharma Vyas | C Minor | 7 | 5A | 146 BPM | ||
| Do Do Nanana O Dhola | Karnail Rana | F Minor | 7 | 4A | 89 BPM | ||
| Raja Jayeda Nata | Khesari Lal Yadav | D♭ Major | 10 | 3B | 131 BPM | ||
| Kaya Nagar Re Bich | Moinuddin Manchala | D♭ Major | 8 | 3B | 92 BPM | ||
| Kahanwa Se Ayila Udi Ke | Madan Rai | F♯ Major | 5 | 2B | 112 BPM | ||
| Meelichi Re Meelichi | Anuradha Paudwal | A♭ Minor | 7 | 1A | 82 BPM | ||
| Saasu Mora Mare Rama | Devi | A♭ Minor | 6 | 1A | 142 BPM |