Craig Armstrong's 'Endings' had a release date set for September 8, 2014. The duration of This song is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Endings's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Craig Armstrong's "It's Nearly Tomorrow" album is number 17 out of 17. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Endings is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Endings by Craig Armstrong to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hall's Plan | Harald Kloser | E♭ Major | 1 | 5B | 95 BPM | ||
| Professor Alexander Hartdegen | Klaus Badelt | A Minor | 2 | 8A | 137 BPM | ||
| Sunlit Kiss | Rael Jones, Anthony Weeden | C Major | 0 | 8B | 76 BPM | ||
| Family | Guy Farley | A Minor | 2 | 8A | 120 BPM | ||
| Rooftop Kiss | James Horner | G Major | 0 | 9B | 70 BPM | ||
| La lettre de Frantz | Philippe Rombi | B♭ Minor | 1 | 3A | 171 BPM | ||
| The Duchess | Rachel Portman | G Major | 2 | 9B | 116 BPM | ||
| The Vanished Elephant - Main Theme | Selma Mutal | C Minor | 2 | 5A | 81 BPM | ||
| A Game of Cricket (From "Becoming Jane" Soundtrack) | Adrian Johnston, Paul Englishby, Vicci Wardman, Anthony Pleeth, John Lenehan, Gabrielle Lester, Marcia Crayford | D Major | 2 | 10B | 151 BPM | ||
| Story Of My Life | The Chamber Orchestra Of London | F Minor | 1 | 4A | 86 BPM | ||
| You Weren't There | George Fenton | G Major | 0 | 9B | 60 BPM | ||
| Love of My Life | Jordan Seigel | E Major | 1 | 12B | 141 BPM | ||
| Playing Townes | Carlos Rafael Rivera | F Major | 0 | 7B | 68 BPM | ||
| Frank Gehry | Mark Isham | F Major | 0 | 7B | 66 BPM | ||
| Camilla's Theme (Roque Baños Plays) | Roque Baños | D♭ Minor | 0 | 12A | 66 BPM | ||
| Into The Sea | Stuart Earl | F Minor | 0 | 4A | 96 BPM | ||
| Home is with Me | Dustin O'Halloran, Volker Bertelmann, Dustin O'Halloran & Volker Bertelmann | G Minor | 1 | 6A | 88 BPM | ||
| Together We Will Live Forever | Clint Mansell | G Minor | 0 | 6A | 76 BPM | ||
| The Secret Life Of Daydreams - From "Pride & Prejudice" Soundtrack | Dario Marianelli, Jean-Yves Thibaudet | B♭ Major | 0 | 6B | 71 BPM | ||
| London 1998 | Howard Shore | D Minor | 0 | 7A | 65 BPM | ||
| Arrival of the Birds | The Cinematic Orchestra, London Metropolitan Orchestra | E♭ Minor | 1 | 2A | 130 BPM | ||
| First Impressions | Adrian Johnston | F Major | 0 | 7B | 130 BPM | ||
| My Dear Anne | Carter Burwell | A Minor | 0 | 8A | 82 BPM | ||
| Into the Cave | Antonio Pinto | B Major | 1 | 1B | 80 BPM | ||
| The Hope for Love | Mario Malagnini | G Major | 1 | 9B | 94 BPM |