TECHCROSS SOUND CORPS's ' "Confronting The Absolute" was released on its scheduled release date, March 29, 2024. The duration of This song is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Confronting The Absolute's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in TECHCROSS SOUND CORPS's "KAMIHIME PROJECT ORIGINAL SOUND TRACK VII" album is number 38 out of 40. On top of that, Turks and Caicos Islands appears to be the country where this track was created. Based on our statistics, Confronting The Absolute's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Confronting The Absolute by TECHCROSS SOUND CORPS to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| VICTORIA | Asami Tachibana | F Major | 8 | 7B | 122 BPM | ||
| 魔術こそ祝福〜星神ヴァッハ | 伊藤 賢治 | F♯ Minor | 8 | 11A | 75 BPM | ||
| Disruption of order | Noah | C Major | 6 | 8B | 165 BPM | ||
| Leap the Precipice | 桜庭統, トラスティベル ~ショパンの夢~, Bandai Namco Game Music | F Major | 5 | 7B | 113 BPM | ||
| Blueray starbow | Hideyuki Fukasawa | D Minor | 7 | 7A | 140 BPM | ||
| 冠菊 [Instrumental] | 初星学園, 葛城リーリヤ, 花海咲季, 藤田ことね | B♭ Major | 9 | 6B | 135 BPM | ||
| THE AWAKENING | 赤羽 大夢 | D♭ Minor | 9 | 12A | 170 BPM | ||
| Oracle Chaplet | TECHCROSS SOUND CORPS | A♭ Major | 6 | 4B | 75 BPM | ||
| Light Guardian | LucaProject | C Major | 4 | 8B | 94 BPM | ||
| 柊 夜ノ介キャラテーマ | ときめきメモリアル Girl's Side 4th Heart Sound Team | B♭ Major | 3 | 6B | 120 BPM | ||
| 魔力発動 | 羽岡 佳 | D Major | 3 | 10B | 170 BPM | ||
| Re:Birth Ⅱ -閃- バトル2 | 伊藤 賢治 | G Minor | 9 | 6A | 159 BPM | ||
| Shining Finger Theme Remake (From G Gundam) | The Pixel Philharmonic | E Major | 8 | 12B | 110 BPM | ||
| Decisive Battle II - Champions of the Tourney Soundtrack Edit | Yasunori Nishiki | D♭ Major | 9 | 3B | 168 BPM | ||
| DEAD ZONE | eMPIRE SOUND SYSTeMS | B♭ Minor | 8 | 3A | 121 BPM | ||
| Valor | satella | E Minor | 7 | 9A | 138 BPM | ||
| Lohengrin | Yasunori Nishiki | A Minor | 8 | 8A | 128 BPM | ||
| Ontology | アリスソフト | G Major | 10 | 9B | 117 BPM | ||
| 街を覆う影 | project G.E. サウンドチーム, Bandai Namco Game Music | C Minor | 4 | 5A | 138 BPM | ||
| Blood on the Keys | 桜庭 統 | D Minor | 1 | 7A | 64 BPM | ||
| Rapid Strikes | Yasuharu Takanashi | B Minor | 10 | 10A | 95 BPM | ||
| Save the Target | 高木 洋 | F Major | 5 | 7B | 78 BPM | ||
| ナズーリンでメタルっぽい何か | オーライフジャパン | G Minor | 4 | 6A | 136 BPM | ||
| 頂を目指して | 伊藤 賢治 | B Minor | 9 | 10A | 155 BPM | ||
| Harlem Shake | Scott Cooper | C Major | 9 | 8B | 125 BPM |