All That Remains's 'We Stand' had a release date set for July 11, 2006. With this song being around four minutes long, at 3:47, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 11 in the song's album "The Fall Of Ideals". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. We Stand is average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With We Stand by All That Remains having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mordecai | Between The Buried And Me | E Major | 9 | 12B | 149 BPM | ||
| My Fears Have Become Phobias | As Blood Runs Black | C Major | 10 | 8B | 116 BPM | ||
| Erased | Volumes | E♭ Minor | 9 | 2A | 99 BPM | ||
| Hate by Design | Killswitch Engage | D Major | 10 | 10B | 180 BPM | ||
| Beacon | Still Remains | A♭ Major | 10 | 4B | 111 BPM | ||
| Idols and Anchors | Parkway Drive | E Major | 9 | 12B | 158 BPM | ||
| The Deepest Gray | All That Remains | D Major | 10 | 10B | 196 BPM | ||
| Strife (Chug Chug) | As Blood Runs Black | C Major | 10 | 8B | 151 BPM | ||
| Declaration | Trivium | D Major | 10 | 10B | 107 BPM | ||
| For Salvation | All That Remains | D Minor | 10 | 7A | 102 BPM | ||
| A Dance With Aera Cura | Miss May I | D♭ Minor | 10 | 12A | 115 BPM | ||
| Destruction | Fit For A King | F♯ Major | 10 | 2B | 139 BPM | ||
| Survival (The Chariot) | In Hearts Wake | D Major | 10 | 10B | 185 BPM | ||
| You Can't Fill My Shadow | All That Remains | F♯ Minor | 10 | 11A | 198 BPM | ||
| Six | All That Remains | D Minor | 10 | 7A | 97 BPM | ||
| The Last Time | All That Remains | D♭ Minor | 10 | 12A | 103 BPM | ||
| Warborn | The Black Dahlia Murder | B♭ Minor | 10 | 3A | 160 BPM | ||
| Dark Horse | The Ghost Inside | A Major | 9 | 11B | 115 BPM | ||
| Anthems of Apocalypse | Winds of Plague | E Minor | 10 | 9A | 140 BPM | ||
| Savage Seas | Feed Her to the Sharks | C Major | 9 | 8B | 150 BPM | ||
| Scarlet Letter | Adestria | A♭ Major | 10 | 4B | 185 BPM | ||
| Consume | Polaris | D♭ Major | 10 | 3B | 138 BPM | ||
| Ceasing to Breathe | Still Remains | A♭ Major | 10 | 4B | 101 BPM | ||
| Complacence Without Pursuit (Lividity) | It Dies Today | A Major | 9 | 11B | 163 BPM | ||
| Doublespeak | Veil Of Maya | G Major | 10 | 9B | 144 BPM |