"The Central Stables" by Steffen Schmidt had its release date on October 14, 2025. With this song being around four minutes long, at 4:14, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 6 in the song's album "Palia: Welcome to Elderwood (Original Soundtrack)". In this album, this song's track order is #6. Based on our statistics, The Central Stables's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Central Stables by Steffen Schmidt having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Disclosure in Reach | Blair Mowat | C Major | 1 | 8B | 66 BPM | ||
| Stringing the Bow | Rachel Portman | G Minor | 1 | 6A | 57 BPM | ||
| Sandswept Reverie | Nomadic Dream | G Minor | 1 | 6A | 98 BPM | ||
| Beesha Comes Back | Oli Julian | G Major | 3 | 9B | 162 BPM | ||
| Midnight Boughs (Elderwood Theme) | Steffen Schmidt | D Major | 0 | 10B | 175 BPM | ||
| Fuera De Ritmo | Casualidades Del Destino | E Minor | 3 | 9A | 178 BPM | ||
| Sleeping Dinosaurs | Stephan Schutze, Melbourne Symphony | F Major | 2 | 7B | 80 BPM | ||
| Tawaki Penguin | Jasha Klebe, Thomas Farnon | D Major | 1 | 10B | 98 BPM | ||
| Vault | Martin Madrazo, Martin Lamo | F Minor | 3 | 4A | 135 BPM | ||
| Professor Found | Brian Tyler | D Major | 2 | 10B | 72 BPM | ||
| Between Two Fires | Sam Cushion | A Major | 1 | 11B | 80 BPM | ||
| Sleeping Heart | Neslihan Atagoz, Telepatia | F♯ Major | 2 | 2B | 85 BPM | ||
| Unforgiven | Jerry Goldsmith | D Major | 2 | 10B | 72 BPM | ||
| Ancient Access | David Reichelt | D Major | 2 | 10B | 72 BPM | ||
| A Contract With The Jury | Clinton Shorter | G Major | 0 | 9B | 77 BPM | ||
| Mother’s Tears | Anne Nikitin | C Minor | 1 | 5A | 138 BPM | ||
| 霧夜 | Lu Luming | D Major | 1 | 10B | 120 BPM | ||
| Sword of the Ancestors | Marcel Barsotti | A Minor | 3 | 8A | 108 BPM | ||
| The Lake | Steffen Schmidt | E Major | 1 | 12B | 75 BPM | ||
| Duro Como El Hierro | Los Elocuentes | C Major | 1 | 8B | 142 BPM | ||
| Lonely Nights | Farid Puber | B Major | 2 | 1B | 85 BPM | ||
| Born To Be Wild | David Schweitzer | C Major | 2 | 8B | 86 BPM | ||
| Hostage Exchange | Cho Young-Wuk | D Major | 2 | 10B | 72 BPM | ||
| TRACK | Atobare | F♯ Major | 2 | 2B | 166 BPM | ||
| Returning to the Hundred Acre Wood | Geoff Zanelli, Jon Brion | A Minor | 0 | 8A | 140 BPM |