Gerard McCrystal, The Smith Quartet, Ciarán Farrell's ' "The Pilgrim's End: Hero's Welcome" was released on its scheduled release date, 2006. With this song being around four minutes long, at 4:10, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 19 in the song's album "Perfect State". In this album, this song's track order is #11. In terms of popularity, The Pilgrim's End: Hero's Welcome is currently unknown. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With The Pilgrim's End: Hero's Welcome by Gerard McCrystal, The Smith Quartet, Ciarán Farrell having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Atlas | Crow City | G Major | 2 | 9B | 134 BPM | ||
| Rogue Rescuers | Raphael Fimm | E♭ Major | 0 | 5B | 80 BPM | ||
| Passing Time | Nadyia Lvov | E♭ Major | 3 | 5B | 76 BPM | ||
| Falling Slow | Luka Tibet | G Major | 2 | 9B | 134 BPM | ||
| Wood Against Skin | Aelvon Rii | G Major | 2 | 9B | 134 BPM | ||
| Someday | blue lemon | E♭ Major | 2 | 5B | 100 BPM | ||
| On Your Side | blue lemon | G Major | 4 | 9B | 80 BPM | ||
| So Long (Soulful Music In New Age) | Xi Tian | F♯ Major | 1 | 2B | 78 BPM | ||
| Sementa | Pasquale Catalano, Marco D’amore | G Major | 2 | 9B | 134 BPM | ||
| The Blanket Fell First | Sairen Holt | G Major | 2 | 9B | 134 BPM | ||
| Shift | Nereano | F Minor | 2 | 4A | 59 BPM | ||
| Interlinked – III. Communication | Luke Howard, Royal Ballet Sinfonia | D Major | 2 | 10B | 121 BPM | ||
| Fascinated By You | Federico Jusid | E Minor | 1 | 9A | 100 BPM | ||
| Troisième leçon de ténèbres à deux voix: Lamed (Arr. for Cello and Electric Guitar by Sonia Wieder-Atherton) | François Couperin, Sonia Wieder-Atherton, Marius Atherton | G Major | 2 | 9B | 134 BPM | ||
| Petite suite: III. Quasi-Lullaby | Peter Scott Lewis, Miranda Cuckson | D Major | 0 | 10B | 115 BPM | ||
| Paper Holds Memory | Noirae Elm | G Major | 2 | 9B | 134 BPM | ||
| Moments of Poetry and Music: No. 2, Melody, Post scriptum | Valentin Silvestrov, Inna Galatenko, Oleg Bezborodko, Lithuanian National Symphony Orchestra, Christopher Lyndon-Gee | A Minor | 0 | 8A | 65 BPM | ||
| Curtains Move Slowly Inward | Aelvon Rii | G Major | 2 | 9B | 134 BPM | ||
| Engen | Danmarks Radios Underholdningsorkester, Per Walter | A Minor | 1 | 8A | 59 BPM | ||
| Evening Song | Cera Ve | G Major | 2 | 9B | 134 BPM | ||
| The Winter's Tale, Act I: Prologue | Joby Talbot, Orchestra of the Royal Opera House, Covent Garden, Koen Kessels | E♭ Minor | 1 | 2A | 120 BPM | ||
| Better Watch Out | Pattingson | E♭ Major | 1 | 5B | 127 BPM | ||
| The Deadline | Olivia Watso | B♭ Major | 1 | 6B | 52 BPM | ||
| Alone | Bounce Melody | G Major | 2 | 9B | 134 BPM | ||
| Multi-Music Canada for Orchestra: I. Genesis - Live | Maya Badian, Gheorghe Mustea, National Symphony Orchestra of Teleradio-Moldova | D♭ Major | 2 | 3B | 90 BPM |