Holy Transfiguration Monastery's ' "While Standing in the Temple’s Courts" was released on its scheduled release date, December 16, 2010. The duration of This song is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. While Standing in the Temple’s Courts's duration is considered a little bit shorter than the average duration of a typical track. The song is number 24 out of 35 in Byzantine Prosomia, Vol. 1: Tones One Through Four by Holy Transfiguration Monastery. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. While Standing in the Temple’s Courts is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of While Standing in the Temple’s Courts by Holy Transfiguration Monastery is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| إنّ الملاك، متري المرّ، باللحن الأوّل | جوقة أبرشيّة طرابلس والكورة وتوابعهما للروم الأرثوذكس | D♭ Minor | 3 | 12A | 69 BPM | ||
| Small Paraklesis | Nektaria Karantzi | E♭ Major | 1 | 5B | 120 BPM | ||
| Holy Saturday A Stasis (At Lauds) | Various Artists | D Major | 3 | 10B | 79 BPM | ||
| Axion Estin Saint Porphyrios | Byzantine Ark | C Minor | 0 | 5A | 118 BPM | ||
| The Great Canon of Supplication: Ode VIII in English | Psaltiki | B Major | 1 | 1B | 111 BPM | ||
| Apolytikia Katanyktikon Esperinon | Ergastiri Psaltikis | G Major | 2 | 9B | 177 BPM | ||
| You are a Priest | Monastery Choir of St. John of San Francisco | B Major | 2 | 1B | 98 BPM | ||
| “Έτη και έτη…” | Χορός Βατοπαιδινών Πατέρων | D♭ Major | 0 | 3B | 137 BPM | ||
| The Beatitudes | The Chamber Choir of St. Tikhon's Monastery, Benedict Sheehan | F Major | 1 | 7B | 76 BPM | ||
| Rejoice | Holy Transfiguration Monastery | F Major | 1 | 7B | 81 BPM | ||
| The Great Doxology | All-Merciful Saviour Monastery | E♭ Major | 1 | 5B | 83 BPM | ||
| ΕΥΛΟΓΗΣΩ ΤΟΝ ΚΥΡΙΟΝ, Ψαλμός 33 Ήχοι α´, γ´, πλ. α´ | Choir of Simonopetra | F♯ Major | 3 | 2B | 141 BPM | ||
| It is Truly Meet | Monastery Choir of St. John of San Francisco | C Minor | 1 | 5A | 114 BPM | ||
| Тебе одеющагося - Болгарский распев | Хор братии Валаамского монастыря, Иеродиакон Герман (Рябцев) | E Major | 0 | 12B | 166 BPM | ||
| Η Προσευχή Του Ιησού | Darkmed | D Major | 2 | 10B | 134 BPM | ||
| Antiphon XV (Mode Pl. II) | Holy Cross Greek Orthodox School of Theology St. Romanos the Melodist Byzantine Choir | D Major | 3 | 10B | 96 BPM | ||
| 1st Ode: Katavasia of the Resurrection | Dynamis Byzantine Ensemble | E♭ Major | 6 | 5B | 64 BPM | ||
| We the Faithful Bless Thee | Holy Transfiguration Monastery | F Major | 1 | 7B | 81 BPM | ||
| Кондак Богородице. - Молитвы на сон грядущим | Хор братии Свято-Успенской Киево-Печерской Лавры, иеродиакон Кирилл (Борисевич) | B Major | 2 | 1B | 169 BPM | ||
| Anaphora - Tikhonovsky Chant | St. Tikhon's Monastery Choir | F♯ Major | 1 | 2B | 87 BPM | ||
| Megalynarion “It is Truly Right” 1st Mode | Dynamis Byzantine Ensemble | B Minor | 2 | 10A | 135 BPM | ||
| The Martyrs of Christ | Timothy Diwema | C Major | 1 | 8B | 135 BPM | ||
| Hymn of Ascent in Tone 4 | Monastery Choir of St. John of San Francisco | E Minor | 1 | 9A | 116 BPM | ||
| Axion esti... (megalinaria) | Kwnstantinos Kantanis, Antwnios Stathopoulos, Vasileios Kantanis | B Major | 1 | 1B | 78 BPM | ||
| Stichera Prosomoia at the Praises (Plagal Fourth Mode) | TROPOS Byzantine Choir, Constantinos Ath. Angelidis | G Major | 2 | 9B | 69 BPM |