On August 5, 1987, the song "Oh Mere Pyare Bail" was released by Kishore Kumar. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 3 out of 5 in Aage Ki Soch by Raamlaxman. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Oh Mere Pyare Bail is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Oh Mere Pyare Bail by Kishore Kumar is Andante (at a walking pace), since this song has a tempo of 108 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Commentry Tabassum And Eena Meena Deeka | Tabassum, Kishore Kumar, C. Ramchandra | F♯ Major | 7 | 2B | 106 BPM | ||
| Ram Teri Ganga Maili | Suresh Wadkar | E♭ Major | 6 | 5B | 155 BPM | ||
| Commentry Tabassum And Chingari Koi Bhadke | Tabassum, Kishore Kumar, R. D. Burman | B Minor | 4 | 10A | 87 BPM | ||
| Ab Ke Baras | Mahendra Kapoor, Laxmikant–Pyarelal | F♯ Major | 6 | 2B | 94 BPM | ||
| Salamat Rahe Dostana Hamara (Part I) - From "Dostana" | Mohammed Rafi, Kishore Kumar | A Major | 9 | 11B | 101 BPM | ||
| Dono Hi Mohabbat Ke | Altaf Raja | B♭ Minor | 8 | 3A | 168 BPM | ||
| Jab Tak Pure Na Ho Phere Saat | Hemlata | G Minor | 6 | 6A | 116 BPM | ||
| Aaye Ho Meri Zindagi Mein - Male Version | Udit Narayan | B Major | 8 | 1B | 135 BPM | ||
| Musafir Hoon Yaron (From "Parichay") | Kishore Kumar | C Major | 4 | 8B | 99 BPM | ||
| Tumi Maa Amake | Ajoy Das, Kishore Kumar | A♭ Minor | 1 | 1A | 150 BPM | ||
| Khoya Khoya Chand Khula Aasman (From "Kala Bazar") | Mohammed Rafi | A Major | 5 | 11B | 81 BPM | ||
| Yeh Lo Main Haari Piya | Geeta Dutt, Majrooh Sultanpuri | E♭ Major | 5 | 5B | 83 BPM | ||
| Chadhta Sooraj | Aziz Nazan | F♯ Major | 4 | 2B | 138 BPM | ||
| Le Chal Mere Jeevan Saathi | Hemlata, Mukesh, Kalyanji-Anandji | D Minor | 3 | 7A | 130 BPM | ||
| Mere Sapnon Ki Rani (From "Aradhana") | Kishore Kumar | A♭ Major | 7 | 4B | 119 BPM | ||
| Tu Na Jaa Mere Baadshah | Alka Yagnik, Mohammed Aziz | B Minor | 5 | 10A | 153 BPM | ||
| Aye Watan Tere Liye | Kavita Krishnamurthy, Mohammed Aziz, Laxmikant–Pyarelal | A Major | 7 | 11B | 95 BPM | ||
| Tere Bina Dil (From "Deewana Mastana") | Udit Narayan, Vinod Rathod | D♭ Major | 8 | 3B | 93 BPM | ||
| Kai Baar Yun Bhi Dekha Hai | Mukesh | A♭ Major | 4 | 4B | 128 BPM | ||
| Pyar Hai Bas Yahi | Bappi Lahiri, Kishore Kumar | F Major | 5 | 7B | 110 BPM | ||
| Main Pal Do Pal Ka Shair Hoon With Dialogue By Amitabh | Amitabh Bachchan, Mukesh | F Major | 4 | 7B | 129 BPM | ||
| Achha To Hum Chalte Hain | Lata Mangeshkar, Kishore Kumar, Laxmikant–Pyarelal | G Minor | 4 | 6A | 112 BPM | ||
| Agar Tum Na Hote - Male Version | R. D. Burman, Kishore Kumar | F Minor | 7 | 4A | 125 BPM | ||
| Khal Nayak Hoon Main | Kavita Krishnamurthy, Vinod Rathod, Ila Arun | A♭ Major | 8 | 4B | 80 BPM | ||
| Yaad Kiya Dil Ne (From: 'Patita') | Lok Geet, Lata Mangeshkar, Shankar, Jaikishan | B Minor | 3 | 10A | 106 BPM |