"Fly the Spirit" by Tony Hymas had its release date on December 9, 1999. The duration of This song is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Fly the Spirit's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Positive Evolutions". In this album, this song's track order is #4. Fly the Spirit is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Fly the Spirit by Tony Hymas having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Patriotism | Gilles Maugenest | A Minor | 3 | 8A | 89 BPM | ||
| Irene Adler (A Scandal In Bohemia) | Gabrieli String Quartet Kenneth Sillito Leslie Pearson & Neil Black, John Yap | E Major | 1 | 12B | 92 BPM | ||
| 魚狩り | Yoshihiro Kanno | D Minor | 3 | 7A | 79 BPM | ||
| Be mine | sound project | E♭ Minor | 2 | 2A | 135 BPM | ||
| Flying Messenger | Oliver Armstrong | D Minor | 0 | 7A | 144 BPM | ||
| Metropolis, Op. 29, Act I "Auftakt": Maschinenhalle mit Moloch | Gottfried Huppertz, Deutsches Symphonie-Orchester Berlin, Frank Strobel | C Minor | 0 | 5A | 88 BPM | ||
| Bring Forth the Tanks | Andreas Waldetoft | F Minor | 4 | 4A | 120 BPM | ||
| 夜空の足音 | PROJECT ACES, Bandai Namco Game Music | F Major | 3 | 7B | 69 BPM | ||
| The Planets, Op. 32: 1. Mars, The Bringer Of War | Gustav Holst, Chicago Symphony Orchestra, James Levine | A♭ Major | 4 | 4B | 95 BPM | ||
| Rito Di Passaggio | Gangli | B♭ Minor | 2 | 3A | 100 BPM | ||
| St. Paul's Suite, Op. 29, No. 2: I. Jig | Gustav Holst, Bournemouth Sinfonietta, Richard Studt | D Minor | 2 | 7A | 84 BPM | ||
| Smooth the Way | Tony Hymas | E Minor | 2 | 9A | 116 BPM | ||
| Angel of Vengeance, Take My Side | Gaijin Entertainment | F♯ Minor | 5 | 11A | 93 BPM | ||
| Lucida Paranoia | Gangli | B Minor | 1 | 10A | 120 BPM | ||
| Whirl of Greed | John R Graham | D Major | 2 | 10B | 178 BPM | ||
| Warm Caress | Tony Hymas | G Minor | 0 | 6A | 114 BPM | ||
| Safari | Stephan Schutze, Melbourne Symphony | A Major | 2 | 11B | 117 BPM | ||
| The Red Poppy, Op. 70: Russian Sailors' Dance | Reinhold Glière, Leonard Slatkin, St. Louis Symphony | B Minor | 1 | 10A | 134 BPM | ||
| Segreti Nascosti | Gangli | B♭ Minor | 2 | 3A | 100 BPM | ||
| The Throne | Wicked Cinema | E Minor | 3 | 9A | 143 BPM | ||
| Legendario | el jievo chin | B♭ Major | 4 | 6B | 125 BPM | ||
| Whisper of the Wind | Simone Cerruto | B♭ Major | 1 | 6B | 120 BPM | ||
| Black Knife from Deltarune Chapter 3+4 (Orchestral-style arrangement) | Takuma Nishimura | G Major | 4 | 9B | 100 BPM | ||
| Dreaming Of The Future | Audinity | G Major | 1 | 9B | 85 BPM | ||
| La Llegada del Adversario | Senderos Del Destino | B♭ Major | 2 | 6B | 140 BPM |