"Hail Leidenschaftlich!" by Evan Call had its release date on October 21, 2020. With this song being around four minutes long, at 4:03, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of VIOLET EVERGARDEN: Echo Through Eternity by Evan Call. The song's track number on the album is #2 out of 51 tracks. Based on our data, Japan was the country where this track was produced or recorded. In terms of popularity, Hail Leidenschaftlich! is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Hail Leidenschaftlich! by Evan Call has a tempo of 109 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Hail Leidenschaftlich! being at 109 BPM, the half-time would be 54 BPM with a double-time of 218 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Suzumiya Haruhi No Tegakari | 神前 暁 | F♯ Minor | 2 | 11A | 139 BPM | ||
| 散り椿〜オープニングテーマ | Takashi Kako | D Minor | 2 | 7A | 134 BPM | ||
| After All These Years | Evan Call | G Major | 4 | 9B | 109 BPM | ||
| 三日月の舞 (関西大会突破 Ver.) | 北宇治高校吹奏楽部 | B♭ Major | 3 | 6B | 74 BPM | ||
| Kingdom of Drossel Wedding March | Evan Call | G Major | 4 | 9B | 109 BPM | ||
| Signs of Dusk | Tamiya Terashima | E Minor | 0 | 9A | 68 BPM | ||
| Hisako's Story 2 | Takatsugu Muramatsu | A Major | 2 | 11B | 77 BPM | ||
| Natsunagi (from "The Day I Became a God") - Orchestral Arr. | Jun Maeda, yanaginagi, Futsuunohito | D♭ Major | 1 | 3B | 97 BPM | ||
| Hum of the Streets | Akira Senju | F Major | 7 | 7B | 88 BPM | ||
| One is All, All is One | Akira Senju | B♭ Major | 8 | 6B | 119 BPM | ||
| The 100th ”Senku Ishigami” | Hiroaki Tsutsumi | A Minor | 1 | 8A | 80 BPM | ||
| 第五楽章/それぞれの想い | 浜口史郎 | E Major | 1 | 12B | 71 BPM | ||
| ボッジとカゲの友情 | MAYUKO | F Major | 5 | 7B | 106 BPM | ||
| 鈴羽の焦り | Nobuaki Nobusawa | D Major | 5 | 10B | 128 BPM | ||
| Overture of the Summer Wars - 「サマーウォーズ」より | 栗田博文, Tokyo Philharmonic Orchestra | B Minor | 4 | 10A | 149 BPM | ||
| 親愛なる想い | 光田康典, 土屋俊輔 | A♭ Major | 3 | 4B | 83 BPM | ||
| MOTHER AND CHILDREN | Takuro Iga | A Major | 0 | 11B | 112 BPM | ||
| When It's All Over | 帆足圭吾 | A Major | 2 | 11B | 111 BPM | ||
| きっと誰かの役に立てる | MAYUKO | D Major | 7 | 10B | 128 BPM | ||
| 暁のヨナ Promenade ver./Akatsuki-no-YONA Promenade ver. | 양방언 | E Major | 1 | 12B | 96 BPM | ||
| 奪われる研究 | Umitaro Abe | G Minor | 1 | 6A | 164 BPM | ||
| かつて魔法少女と悪は敵対していた。 | MAYUKO | A Major | 1 | 11B | 120 BPM | ||
| I Am Humbert von Gikkingen | Yuji Nomi | G Major | 2 | 9B | 112 BPM | ||
| Hajimete no motosuko ”Yuugure no fujisan” | Akiyuki Tateyama | D Major | 2 | 10B | 87 BPM | ||
| GATE OF PHENOGRAM - symphonic ver. | 阿保剛 | F Minor | 3 | 4A | 146 BPM |