Continuum's 'Space Time 5' had a release date set for March 12, 2009. With this song being around four minutes long, at 4:29, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 7 in the song's album "Space Time". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. Space Time 5 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Space Time 5 by Continuum having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| A. Simpatico B. Misterioso | Howard Shore, Ornette Coleman | A♭ Major | 1 | 4B | 81 BPM | ||
| Palhaço | Egberto Gismonti | A♭ Major | 1 | 4B | 74 BPM | ||
| Violin and Harpsichord, Book II: Traumwerk 5 | James Dillon, Continuum | D Major | 1 | 10B | 170 BPM | ||
| Harry Carried | David Shire | C Major | 5 | 8B | 125 BPM | ||
| Tom Waits | Antonio Pinho Vargas | F Major | 1 | 7B | 125 BPM | ||
| The Double Double: Body Double / Double Indemnity | Pino Donaggio, Miklós Rózsa | F Major | 3 | 7B | 110 BPM | ||
| Homage to Iran: II. Interlude (Presto) | Henry Cowell, Mark Steinberg, Joel Sachs, Cheryl Seltzer, Continuum | A Minor | 1 | 8A | 108 BPM | ||
| Farewell My Lovely | Alan Hawkshaw | F♯ Major | 4 | 2B | 91 BPM | ||
| Gath | Vessels Of Judah | D♭ Major | 5 | 3B | 97 BPM | ||
| Sometines I Feel Like A Motherless Child | Don Shirley | D♭ Major | 0 | 3B | 134 BPM | ||
| Hobart & Blackwell | Trevor Gureckis | E♭ Minor | 2 | 2A | 151 BPM | ||
| Gnarly Buttons: Movement III - Put Your Loving Arms Around Me | John Adams, London Sinfonietta | F Major | 1 | 7B | 89 BPM | ||
| Der Ring: From "Das Rheingold": Vorspiel | Edo de Waart | E♭ Major | 0 | 5B | 124 BPM | ||
| Moving Through Time | Angelo Badalamenti | C Major | 1 | 8B | 81 BPM | ||
| Not Like This | Till Brönner | D♭ Major | 0 | 3B | 69 BPM | ||
| I'm So Happy You're Home | Tyler Bates, Timothy Williams | F Major | 5 | 7B | 102 BPM | ||
| How the Nights Can Fly | Hampshire & Foat | C Minor | 3 | 5A | 51 BPM | ||
| Violin Sonata: IV. Andante - Doppio movimento | Virgil Thomson, Mia Wu, Cheryl Seltzer, Continuum | F Major | 0 | 7B | 80 BPM | ||
| Moonlight Magic | Alan Moorhouse | D♭ Major | 1 | 3B | 73 BPM | ||
| Law & Disorder | David Shire | E♭ Major | 2 | 5B | 72 BPM | ||
| Cityscape | Ogerman & Brecker | E♭ Minor | 1 | 2A | 74 BPM | ||
| Tristeza Dos Dois | Bernardo Sassetti | C Minor | 0 | 5A | 69 BPM | ||
| Unforgettable You | Nela Robinson, Shoreditch Free Jazz Social Club | C Major | 0 | 8B | 74 BPM | ||
| M.A.Y. in The Backyard | Ryuichi Sakamoto | F Major | 1 | 7B | 104 BPM | ||
| Come Back to Me | Continuum | A Major | 3 | 11B | 119 BPM |