"Time to Go to Work" by Tony Morales had its release date on June 3, 2014. With this song being around four minutes long, at 3:46, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Tony Morales's "In Your Eyes (Original Motion Picture Score)" album is number 17 out of 20. Time to Go to Work is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Time to Go to Work by Tony Morales to be Lento (slowly) because the track has a tempo of 55 BPM, a half-time of 28BPM, and a double-time of 110 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Price of Giving Orders | Chris Benstead | G Major | 0 | 9B | 52 BPM | ||
| Vincere Ad Ogni Costo | Sagrifizio | B♭ Minor | 7 | 3A | 100 BPM | ||
| Tus Mejores Cartas | toribio | A♭ Major | 4 | 4B | 180 BPM | ||
| Did It Again | Joel Sandro, Joel | F♯ Major | 2 | 2B | 95 BPM | ||
| Starting Over | Henry Jackman, Alex Belcher | D Minor | 1 | 7A | 65 BPM | ||
| She’s Pregnant | Andrew Lockington | B♭ Minor | 0 | 3A | 190 BPM | ||
| To Be (Original Motion Picture Soundtrack) | Raphael Kempermann | E Major | 4 | 12B | 84 BPM | ||
| Will's Confession | David Julyan | B Minor | 0 | 10A | 101 BPM | ||
| Escapadas | Noches Eternas | F Minor | 3 | 4A | 85 BPM | ||
| Competidores Reales | Verdes Atardeceres | A Major | 2 | 11B | 77 BPM | ||
| Oblivion (Theme from "Walter") | Zeki Cavkaytar | B♭ Major | 1 | 6B | 120 BPM | ||
| Conocimiento Eterno | Los Elocuentes | D♭ Minor | 3 | 12A | 135 BPM | ||
| Gonna Need a Gun | Tony Morales | E Minor | 0 | 9A | 114 BPM | ||
| She Might Be Scared of You | Luke Richards | E Minor | 1 | 9A | 92 BPM | ||
| Lost Souls | Andrew Hulshult | B♭ Major | 1 | 6B | 120 BPM | ||
| Condicionar Mal | Noches Eternas | D Minor | 2 | 7A | 89 BPM | ||
| Steven | Behruz Nuriyev, Khan Ro | D♭ Major | 3 | 3B | 105 BPM | ||
| The Final Act | Pinar Toprak | F Major | 4 | 7B | 98 BPM | ||
| Duty | Andrew Lockington | A Minor | 3 | 8A | 73 BPM | ||
| In the Heart of Us | Bear McCreary, Sparks & Shadows | C Minor | 1 | 5A | 79 BPM | ||
| Contact | Andrew Lockington | F♯ Major | 1 | 2B | 78 BPM | ||
| San Pietro | Martin Madrazo, Martin Lamo | C Major | 4 | 8B | 90 BPM | ||
| Do You Have an Opinion on Fate? | Luke Richards | A♭ Major | 4 | 4B | 160 BPM | ||
| Apariciones Repentinas | Hasta El Final | B♭ Major | 1 | 6B | 110 BPM | ||
| Johanna & Rachel | David Buckley | E Major | 1 | 12B | 78 BPM |