"Moonlit Beach" by George Fenton had its release date on January 11, 1999. With This song being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 12 out of 18 in Anna and the King (Original Motion Picture Soundtrack) by George Fenton. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Moonlit Beach is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Moonlit Beach by George Fenton is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| This Is Neverland - Finding Neverland/Soundtrack Version | Jan A.P. Kaczmarek, Nick Ingman | A Minor | 1 | 8A | 88 BPM | ||
| Trying To Relate | George Fenton | C Major | 0 | 8B | 97 BPM | ||
| Those Two | Amelia Warner | D Major | 2 | 10B | 89 BPM | ||
| My Father's Favourite | Patrick Doyle, Tony Hymas, Robert Ziegler, Jonathan Snowdon, Robert Hill, Richard Morgan | A♭ Major | 1 | 4B | 59 BPM | ||
| Love Story | Samuel Sim | D Major | 1 | 10B | 50 BPM | ||
| To Olivia | Debbie Wiseman | A Minor | 1 | 8A | 71 BPM | ||
| Kissing Town | Anne Dudley | F Major | 1 | 7B | 135 BPM | ||
| Cliffs and Cannonballs | Tyler Michael Smith | E Major | 0 | 12B | 86 BPM | ||
| Runaways (From "Becoming Jane" Soundtrack) | Adrian Johnston, Paul Englishby, Vicci Wardman, Anthony Pleeth, John Lenehan, Marcia Crayford, Gabrielle Lester | E Major | 1 | 12B | 80 BPM | ||
| The Prince's Decision | George Fenton | G Major | 0 | 9B | 88 BPM | ||
| Main Title | William Ross | A Major | 1 | 11B | 172 BPM | ||
| The World Wakes | Jagex Audio Team, James Hannigan | A♭ Major | 1 | 4B | 69 BPM | ||
| The Barn | Deborah Lurie | F♯ Major | 1 | 2B | 73 BPM | ||
| Secretos por Confesar | Ninfas De Ultramar | D Minor | 1 | 7A | 77 BPM | ||
| We Had Today | Rachel Portman | D Major | 1 | 10B | 81 BPM | ||
| Calm After Storm | Gabriel Yared | G Major | 2 | 9B | 85 BPM | ||
| Grandes Sueños | Fernando Velázquez | E♭ Major | 0 | 5B | 137 BPM | ||
| The Story Is Told | Roque Baños | A♭ Major | 0 | 4B | 92 BPM | ||
| All The Better For Her | Patrick Doyle | C Minor | 1 | 5A | 89 BPM | ||
| No Safer Place | Deborah Lurie | A Minor | 0 | 8A | 84 BPM | ||
| Sempre Per Te | Michael Bennett | A♭ Major | 1 | 4B | 69 BPM | ||
| Combe Magna - Instrumental | Patrick Doyle, Robert Ziegler, Tony Hymas, Jonathan Snowdon, Robert Hill, Richard Morgan | D Minor | 2 | 7A | 127 BPM | ||
| Harry & Grace Make Peace | Trevor Rabin | C Major | 1 | 8B | 74 BPM | ||
| Ballycarbery Castle | Randy Edelman | G Major | 2 | 9B | 148 BPM | ||
| Evelyn Goes It Alone | Geoff Zanelli, Jon Brion | F♯ Minor | 1 | 11A | 83 BPM |