On February 22, 2011, the song "The Shorty Georges" was released by Rita Hayworth. With this song being around four minutes long, at 4:07, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 26 in the song's album "Sex Symbol - Rita Hayworth". In this album, this song's track order is #22. Furthermore, we believe that the track originated from Sweden. In terms of popularity, The Shorty Georges is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With The Shorty Georges by Rita Hayworth having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Le Paradis Perdu | Lucienne Delyle | B Minor | 2 | 10A | 77 BPM | ||
| The Music Man: Till I Met You (1950 mono recording) | Eileen Wilson, Meredith Willson Orchestra, Meredith Willson | F Minor | 3 | 4A | 117 BPM | ||
| My Daddy Rocks Me | Trixie Smith | B Minor | 2 | 10A | 77 BPM | ||
| Till I Waltz Again With You | Teresa Brewer | D Major | 2 | 10B | 87 BPM | ||
| The Way You Look Tonight | The Merry Macs | D♭ Major | 2 | 3B | 183 BPM | ||
| I Called to Say Goodnight | Nick Lucas | B Minor | 2 | 10A | 77 BPM | ||
| One Mint Julep | The Clovers | A♭ Major | 4 | 4B | 106 BPM | ||
| Road To Bali: To See You Is To Love You | Bob Hope | G Minor | 3 | 6A | 94 BPM | ||
| With Plenty Of Money And You | Hal Kemp And His Orchestra | G Minor | 1 | 6A | 184 BPM | ||
| Speak Low | Peggy Lee | F Minor | 0 | 4A | 141 BPM | ||
| Smooth Operator | Dorothy Dandridge | B♭ Minor | 4 | 3A | 140 BPM | ||
| You're the Cream in My Coffee | Annette Hanshaw | G Minor | 1 | 6A | 143 BPM | ||
| Allegheny Moon | Patti Page | B Minor | 2 | 10A | 77 BPM | ||
| Volare (Nel Blu Dipinto Di Blu) | The McGuire Sisters | B Minor | 2 | 10A | 77 BPM | ||
| Love Is Like a Violin | Ken Dodd | A Major | 5 | 11B | 72 BPM | ||
| Poor John | Rita Hayworth | B Minor | 2 | 10A | 77 BPM | ||
| It's So Nice To Have A Man Around The House | Della Reese | D Major | 5 | 10B | 200 BPM | ||
| A Garden In The Rain | Gene Austin | E♭ Major | 2 | 5B | 45 BPM | ||
| Daddy Won't You Please Come Home | Annette Hanshaw | C Major | 2 | 8B | 136 BPM | ||
| Shadow Waltz | Rudy Vallee and His Connecticut Yankees | B Minor | 2 | 10A | 77 BPM | ||
| Ain’t There Anyone Here For Love | Jane Russell | A♭ Major | 3 | 4B | 102 BPM | ||
| Mairzy Doats | The Merry Macs | F Minor | 2 | 4A | 157 BPM | ||
| Lili Marlene (From "Seven Sinners") | Marlene Dietrich | B Minor | 2 | 10A | 77 BPM | ||
| Moscow Nights | Ketty Lester | G Minor | 2 | 6A | 107 BPM | ||
| Nobody Knows You When You're Down and Out | Bessie Smith | E Major | 0 | 12B | 66 BPM |