"Skylark" by Dianne Reeves had its release date on January 1, 2003. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 4 out of 10 in A Little Moonlight by Dianne Reeves. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Skylark is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Skylark by Dianne Reeves is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Someday We'll All Be Free | Tom Browne, Dianne Reeves, Billy Kilson | F♯ Major | 4 | 2B | 81 BPM | ||
| What Do You See in Her | Cæcilie Norby | D♭ Major | 2 | 3B | 119 BPM | ||
| When October Goes | Nancy Wilson | F Minor | 0 | 4A | 91 BPM | ||
| S Wonderful | Ann Hampton Callaway | G Major | 3 | 9B | 147 BPM | ||
| How Did She Look? | Kevin Mahogany | C Minor | 1 | 5A | 93 BPM | ||
| I Remember Sky | Dianne Reeves | C Major | 1 | 8B | 138 BPM | ||
| Hello Like Before | Anthony David | A Major | 3 | 11B | 113 BPM | ||
| From This Moment On | Roberta Gambarini | F Minor | 4 | 4A | 175 BPM | ||
| Keep On | Pete Belasco | E Major | 5 | 12B | 91 BPM | ||
| Soki | Michael Olatuja, Dianne Reeves, Lionel Loueke | F Major | 4 | 7B | 92 BPM | ||
| You Change | Lindsey Webster | G Minor | 4 | 6A | 130 BPM | ||
| These Foolish Things | Cassandra Wilson | D Major | 3 | 10B | 122 BPM | ||
| Still A Friend Of Mine | Incognito | A Major | 5 | 11B | 87 BPM | ||
| Sunday Kind Of Love | Freddy Cole | F Minor | 2 | 4A | 66 BPM | ||
| Smile Again | The Manhattan Transfer | F♯ Minor | 3 | 11A | 120 BPM | ||
| Take The "A" Train | Lionel Hampton, Dianne Reeves | B♭ Major | 3 | 6B | 87 BPM | ||
| Do Nothing 'Til You Hear From Me | Abbey Lincoln | G Major | 3 | 9B | 74 BPM | ||
| Hold Me | Carol Welsman | D♭ Minor | 4 | 12A | 121 BPM | ||
| Maiden Voyage | Bob Belden Project, Dianne Reeves, Geri Allen | D Major | 3 | 10B | 129 BPM | ||
| (No Matter How High I Get) I'll Still Be Looking Up To You | Wilton Felder, Bobby Womack, Alltrinna Grayson | E♭ Major | 4 | 5B | 115 BPM | ||
| Something Cool | Tierney Sutton | D♭ Major | 1 | 3B | 112 BPM | ||
| Sing Joy Spring | The Manhattan Transfer | G Minor | 5 | 6A | 145 BPM | ||
| Someday | Al Jarreau, Dianne Reeves | F Major | 5 | 7B | 80 BPM | ||
| Visions | Cécile McLorin Salvant | B♭ Minor | 0 | 3A | 169 BPM | ||
| Smoke Gets In Your Eyes/All the Things You Are | Roberta Gambarini | D Major | 2 | 10B | 117 BPM |