"Bard's Eye View: I. O mistress mine" by John Rutter, Graham Ross, Choir of Clare College, Cambridge, Dmitri Ensemble had its release date on December 12, 2025. With This song being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in John Rutter, Graham Ross, Choir of Clare College, Cambridge, Dmitri Ensemble's "John Rutter: A Clare College Celebration (The Christmas Edition)" album is number 6 out of 22. On top of that, France appears to be the country where this track was created. Bard's Eye View: I. O mistress mine is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Bard's Eye View: I. O mistress mine by John Rutter, Graham Ross, Choir of Clare College, Cambridge, Dmitri Ensemble to be Larghetto (rather broadly) because the track has a tempo of 61 BPM, a half-time of 30BPM, and a double-time of 122 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| All-Night Vigil, Op. 37: VIII. Praise the Name of the Lord | Sergei Rachmaninoff, Phoenix Chorale, Kansas City Chorale, Charles Bruffy, Joseph Warner | E Minor | 4 | 9A | 94 BPM | ||
| Kyrie (From Mass in Eb) | The Concordia Choir, René Clausen | E♭ Major | 1 | 5B | 84 BPM | ||
| Mass for Four Voices: V. Agnus Dei | William Byrd, Stile Antico | F Minor | 1 | 4A | 123 BPM | ||
| Requiem for the Living: V. Lux Aeterna | Providence Singers, Christine Noel, Kilian Mooney | G Major | 1 | 9B | 86 BPM | ||
| Missa Festiva (Sanctus) | John Leavitt, Pěvecký sbor Stojanova gymnázia Velehrad, Cimbálová muzika Stojanova gymnázia Velehrad | D Major | 3 | 10B | 69 BPM | ||
| VII. Selig sind die Toten (Live) | Johannes Brahms, Cappella Amsterdam, Orchestra Of The 18th Century, Daniel Reuss | F Major | 1 | 7B | 82 BPM | ||
| Nachtlied, Op. 138, No. 3 | Windsbacher Knabenchor, Martin Lehmann | B Minor | 0 | 10A | 69 BPM | ||
| 3 Chorales, P. 167: No. 3, Andante (After J.S. Bach's BWV 645) | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | E♭ Major | 0 | 5B | 84 BPM | ||
| Here is the little door | Howard Howells, Choir of Clare College, Cambridge, Graham Ross | A Minor | 1 | 8A | 69 BPM | ||
| A Gaelic Blessing | John Rutter, Wayne Marshall | A Major | 0 | 11B | 91 BPM | ||
| Considering Matthew Shepard, Passion: No. 29, Pilgrimage | Craig Hella Johnson, Lesléa Newman, Conspirare | A Major | 0 | 11B | 96 BPM | ||
| Jesu, Son Most Sweet and Dear, from Anniversary Carols | Jackson Berkey, Soli Deo Gloria Cantorum, Almeda Berkey (Director) | A♭ Major | 1 | 4B | 112 BPM | ||
| No. 4, Sometimes I Feel Like a Motherless Child | John Rutter, Melanie Marshall, The Cambridge Singers, BBC Concert Orchestra, Victoria Walpole | A♭ Major | 0 | 4B | 76 BPM | ||
| Requiem for the Living: IV. Sanctus | Dan Forrest, University of Bielsko-Biala Choir, University of Bielsko-Biała Chamber Orchestra, Jan Borowski | D Minor | 1 | 7A | 136 BPM | ||
| Wenn ich ein Glöcklein wär | Cantilon Chamber Choir | D Major | 0 | 10B | 81 BPM | ||
| Eternal Rest | James Whitbourn, Commotio, Henry Parkes, Matthew Berry | G Major | 1 | 9B | 128 BPM | ||
| Weihnacht | Erhard Mauersberger, Isura Madrigal Chor, Johannes Buxbaum | E♭ Major | 0 | 5B | 70 BPM | ||
| Who is Sylvia?, Op.18, No.2 - Instrumental | Gerald Finzi, Nicolas Fleury, Aurora Orchestra, Nicholas Collon | E♭ Major | 1 | 5B | 138 BPM | ||
| Romance (From "Omena putoaa") | Einar Englund, Linda Hedlund, La Tempesta Orchestra, József Hárs | E♭ Major | 0 | 5B | 90 BPM | ||
| If Ye Love Me | Thomas Tallis, Andrew Fletcher, Ex Cathedra, Jeffrey Skidmore | F Major | 1 | 7B | 79 BPM | ||
| All Hail the Power of Jesus | The Celebration Choir, The Majesty And Glory Performers, Blessed Assurance Favorite Hymns Of Inspiration And Hope Performers, Classic Choral Hymns Ensemble | D Major | 2 | 10B | 139 BPM | ||
| Abide With Me | The Concordia Choir, René Clausen | D Major | 2 | 10B | 106 BPM | ||
| We Three Kings | Philip Stopford, Truro Cathedral Choir, BBC National Orchestra Of Wales, Christopher Gray | E Minor | 1 | 9A | 111 BPM | ||
| Hymn to the Creator of Light | John Rutter, The Cambridge Singers | E♭ Major | 1 | 5B | 77 BPM | ||
| O nata lux de lumine | Thomas Tallis, Alamire, David Skinner | G Minor | 2 | 6A | 76 BPM |