On December 27, 2001, the song "Kar Man Pe Adhikaar" was released by Kumar Vishu. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Kumar Vishu's "Karlo Sewa Satkar Jeevan Do Din Ka" album is number 2 out of 5. On top of that, India appears to be the country where this track was created. In terms of popularity, Kar Man Pe Adhikaar is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Kar Man Pe Adhikaar by Kumar Vishu to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sansar Ke Bandhan Aaj | Sadhvi Purnima Ji | B♭ Minor | 9 | 3A | 88 BPM | ||
| Chhote Chhote Ghunghroo | Manish Tiwari | D♭ Major | 5 | 3B | 98 BPM | ||
| Damodar Stuti | Sachin Limaye | E♭ Major | 4 | 5B | 119 BPM | ||
| Yamunashtakam | Nidhi Dholakia | A Minor | 4 | 8A | 90 BPM | ||
| O Taaran Hare | Vaibhav Bagmar Balotra | B♭ Minor | 9 | 3A | 122 BPM | ||
| Hanuman Chalisa - (Radha Krishnaji Maharaj) | Radha Krishnaji Maharaj | D♭ Major | 6 | 3B | 79 BPM | ||
| Hey Naam Re | Kishan Bhagat, Pankaj Budrani | F♯ Major | 8 | 2B | 150 BPM | ||
| Nainan Mein Shyam Samayo | Vandana Bhardwaj | D♭ Major | 7 | 3B | 140 BPM | ||
| Main Pardesi Hoon Pahli Baar Aaya Hoon | Madhushmita, Parthiv Goel | A♭ Major | 7 | 4B | 86 BPM | ||
| Sai Ji Teri Badi Kripa Hai | Puneet Khurana | B♭ Minor | 9 | 3A | 88 BPM | ||
| Janamdin Hai Laddu Gopal Ka | Kumar Vishu | D♭ Major | 9 | 3B | 142 BPM | ||
| Kali Maa Chalisa by Kumar Vishu | Kumar Vishu | E Major | 8 | 12B | 94 BPM | ||
| Chalo Aiyo Re Shyam Mere Palkan Pe | Acharya Mridul Krishna Goswami | F♯ Major | 8 | 2B | 99 BPM | ||
| Leke Chalo Palki Shirdi Ke Nath Ki | Sachidanand Appa | A♭ Major | 5 | 4B | 130 BPM | ||
| Mera Sankat Katane Wala Hain | Manish Tiwari | F♯ Major | 4 | 2B | 177 BPM | ||
| Jain Dharam Ke Hire Moti | Pawan Sharma | F♯ Minor | 8 | 11A | 130 BPM | ||
| Karpur Gauram Karunaavtaaram | Nirupama Dey | F Major | 3 | 7B | 120 BPM | ||
| Mere Malik Ki Kitab Mein | Kumar Vishu | D♭ Major | 5 | 3B | 109 BPM | ||
| Murliwale Ne Gher Lai (From "Kabhi Ram Banke Kabhi Shyam Banke") | Tripti Shakya | F♯ Major | 7 | 2B | 95 BPM | ||
| He Ram Tum Bade Dayalu Ho | Anil Hanslas | G Minor | 6 | 6A | 78 BPM | ||
| Man Tera Mandir Hai - Mata Ka Jagrata | Kavita Paudwal | G Major | 2 | 9B | 71 BPM | ||
| Hamaro Dhan Radha Radha | Shri Anil Hanslas Bhaiya Ji | A♭ Major | 7 | 4B | 93 BPM | ||
| Radhe Jhoolan Padharo Jhuki Aayee Badra | Shridhay Shri Mridul krishna shastri ji maharaj | F Major | 8 | 7B | 155 BPM | ||
| Karein Bhagat hon aarti mai doi biriyan | Rakesh Tiwari | A♭ Major | 5 | 4B | 117 BPM | ||
| Evu Shri Vallabh Prabhu Nu Naam | Nidhi Dholakia | F♯ Minor | 7 | 11A | 126 BPM |