"Things We Left Behind" by Jóhann Jóhannsson had its release date on May 29, 2020. The duration of This song is about 3 minutes long, at 3:08. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 16 in the song's album "Personal Effects (Original Motion Picture Soundtrack)". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Germany. Things We Left Behind is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Things We Left Behind by Jóhann Jóhannsson having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 1/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Counting the Days | Jordan Seigel | D Major | 2 | 10B | 66 BPM | ||
| End Titles | Rachel Portman | E Minor | 2 | 9A | 122 BPM | ||
| As Ballad | Lambert | E♭ Major | 0 | 5B | 132 BPM | ||
| Fortanach - Piano Version | Sebastian Plano, Kindt | G Minor | 1 | 6A | 148 BPM | ||
| Shadow Land, Pt. 1 | Federico Albanese | F Minor | 1 | 4A | 123 BPM | ||
| Broken People | Kerry Muzzey, Andrew Skeet, The Chamber Orchestra Of London | B♭ Major | 2 | 6B | 114 BPM | ||
| Fantasía for Cello and Orchestra | Gabríel Ólafs, Steiney Sigurðardóttir, Reykjavík Orkestra, Viktor Orri Árnason | A Major | 0 | 11B | 58 BPM | ||
| Come Back to Us | Thomas Newman | G Minor | 0 | 6A | 79 BPM | ||
| Two on the Breakwater | Angus MacRae | F Minor | 4 | 4A | 120 BPM | ||
| Wind's Caress | Mattia Vlad Morleo | D♭ Minor | 1 | 12A | 75 BPM | ||
| Céline | Federico Albanese | F♯ Major | 3 | 2B | 83 BPM | ||
| Hoxa Sound | Erland Cooper | C Major | 2 | 8B | 86 BPM | ||
| Part 4.9 | Jóhann Jóhannsson, Guðmundur Sigurðsson, Hörður Bragason, Skúli Sverrisson, Matthías M.D. Hemstock, Caput Ensemble, Guðni Franzson | C Major | 1 | 8B | 70 BPM | ||
| Collateral Beauty | Theodore Shapiro | D Major | 0 | 10B | 64 BPM | ||
| Chalkboard | Jóhann Jóhannsson | A Minor | 1 | 8A | 93 BPM | ||
| Van Gogh Theme (Just Piano) III | Tatiana Lisovskaya, Paul Cantelon | D Minor | 0 | 7A | 70 BPM | ||
| If You Should Fall | Craig Armstrong, Cecilia Weston | F Minor | 1 | 4A | 126 BPM | ||
| F Major | Hania Rani | B♭ Minor | 0 | 3A | 142 BPM | ||
| Petricor | Ludovico Einaudi, Daniel Hope | G Major | 3 | 9B | 108 BPM | ||
| Spring Nocturne | Angus MacRae | G Minor | 2 | 6A | 116 BPM | ||
| We Move Lightly | Dustin O'Halloran | A♭ Major | 2 | 4B | 120 BPM | ||
| All Boundaries Are Conventions | Tom Tykwer, Johnny Klimek, Reinhold Heil | C Major | 1 | 8B | 55 BPM | ||
| Forces of Attraction | Jóhann Jóhannsson | G Major | 1 | 9B | 104 BPM | ||
| Any Other Name | Thomas Newman | G Minor | 0 | 6A | 78 BPM | ||
| Five Sunflowers in A Vase | Clint Mansell | D Minor | 2 | 7A | 88 BPM |