Scotty Emerick's ' "Where That Came From" was released on its scheduled release date, February 11, 2023. The duration of This song is about 3 minutes long, at 3:19. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Scotty Emerick's "Headwinds (The Demo Sessions)" album is number 8 out of 8. On top of that, Turks and Caicos Islands appears to be the country where this track was created. In terms of popularity, Where That Came From is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Where That Came From by Scotty Emerick to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| You're Only Lonely | Finis Smith | G Major | 5 | 9B | 108 BPM | ||
| I Plead Guilty | Elvis Barker | E Major | 3 | 12B | 94 BPM | ||
| This Empty House | Doug Stone | F♯ Major | 3 | 2B | 80 BPM | ||
| Shadows on the Porch | Countryside Melody | F♯ Minor | 3 | 11A | 71 BPM | ||
| This guitar was made for country | Johnny Cashinger | G Major | 4 | 9B | 76 BPM | ||
| Who Tempted Satan to Fall? | Cody Lane | F Major | 3 | 7B | 75 BPM | ||
| God Bless This Road | Sawyer Brown | B♭ Minor | 9 | 3A | 197 BPM | ||
| Honor Bound | David Wills | F♯ Major | 6 | 2B | 72 BPM | ||
| Can't Drive You From My Mind | Jesse Keith Whitley | E♭ Major | 3 | 5B | 136 BPM | ||
| Sleep | Pete Schlegel | B Minor | 7 | 10A | 160 BPM | ||
| Kindly Keep It Country | Vince Gill | B♭ Major | 4 | 6B | 78 BPM | ||
| There She Was | John Landry | E♭ Major | 8 | 5B | 134 BPM | ||
| You Still Got Me | Doug Supernaw | D Major | 5 | 10B | 77 BPM | ||
| Until We Fall Back In Love Again | Jeff Carson | B Major | 5 | 1B | 76 BPM | ||
| From Cotton to Satin | Wyatt Massingille | F Major | 4 | 7B | 89 BPM | ||
| Lonely Road | Boone Ashford | G Major | 3 | 9B | 75 BPM | ||
| Counting White Lines | Midnight Railbones | G Major | 1 | 9B | 158 BPM | ||
| You Sure Got This Ol' Redneck Feelin' Blue | Dean Dillon | G Major | 2 | 9B | 94 BPM | ||
| Rust | Doctor Krarly | E♭ Major | 4 | 5B | 79 BPM | ||
| Someone to Love You | Martin Delray | F♯ Major | 3 | 2B | 84 BPM | ||
| The Gospel According to Luke | Skip Ewing | D Major | 5 | 10B | 152 BPM | ||
| Between An Old Memory And Me | Steven Wood | F Major | 4 | 7B | 142 BPM | ||
| Dusty Highway Blues | Midnight Rambler | C Minor | 7 | 5A | 126 BPM | ||
| All I Have To Offer You Is Me | McBride & The Ride | A♭ Major | 3 | 4B | 95 BPM | ||
| I Can Do That | Scott Hisey | F Major | 6 | 7B | 99 BPM |