"Brown Leaves in the Afternoon" by Conconet had its release date on January 23, 2026. The duration of This song is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Brown Leaves in the Afternoon's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vaulted by Conconet. The song's track number on the album is #2 out of 15 tracks. Based on our statistics, Brown Leaves in the Afternoon's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Brown Leaves in the Afternoon by Conconet has a tempo of 145 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Brown Leaves in the Afternoon being at 145 BPM, the half-time would be 72 BPM with a double-time of 290 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Breathe1 | The Right With Two Meanings | F♯ Minor | 6 | 11A | 192 BPM | ||
| Puro futuro | HUARCAYA VI | C Major | 2 | 8B | 122 BPM | ||
| Delta Star | The Lowlies | G Minor | 3 | 6A | 131 BPM | ||
| Layers | John Lensing | D Major | 1 | 10B | 134 BPM | ||
| bedhead | Sydney West | F♯ Minor | 6 | 11A | 192 BPM | ||
| Wings Cut / Fingers Cut | Jesse Marchant | E Major | 3 | 12B | 152 BPM | ||
| The Sound of Waiting | Billie Rouss | E♭ Major | 4 | 5B | 63 BPM | ||
| Magical Thinking | Kesang Marstrand | F Major | 2 | 7B | 127 BPM | ||
| Beneath the Shadow of Ed Gein | PAGES IN CLOUDS | A Minor | 1 | 8A | 147 BPM | ||
| The Older I Get | Arliston | A♭ Major | 4 | 4B | 150 BPM | ||
| Falling Moon | mossfellow | A♭ Minor | 2 | 1A | 156 BPM | ||
| The Space The Warmth Left Behind | Sylvora | F♯ Minor | 6 | 11A | 192 BPM | ||
| hope on the dash | Brothers | D Major | 0 | 10B | 143 BPM | ||
| Lost In My Own World | Barubuu | F♯ Minor | 6 | 11A | 192 BPM | ||
| My Never to Be Wife | Francis Lawrence | F♯ Minor | 6 | 11A | 192 BPM | ||
| Quietude in Celestial Ashes | Thaleóm | D Major | 1 | 10B | 105 BPM | ||
| Running Youth | Noah Antonio | A Major | 2 | 11B | 150 BPM | ||
| Below The Waves | Tomo | F♯ Minor | 6 | 11A | 192 BPM | ||
| Darlin’ I'm Lettin’ Go | Lottie and the Void | A Minor | 6 | 8A | 68 BPM | ||
| Our Little World | Darling West | A Major | 2 | 11B | 84 BPM | ||
| Scars on Your Shoulder | Kyle McEvoy, Cole Swensen, The Field Tapes | F♯ Minor | 5 | 11A | 150 BPM | ||
| Negative Attraction | Luke De-Sciscio | F Major | 1 | 7B | 109 BPM | ||
| Deep Green Pool | Peter Stone | B Minor | 1 | 10A | 114 BPM | ||
| About This War | Cujo Moon | E♭ Major | 4 | 5B | 111 BPM | ||
| Time Is the Healer | Darling West | A Major | 0 | 11B | 68 BPM |