"Arcanae: I. Seraphim" by Patricia Van Ness, Tapestry, Ensemble Project Ars Nova, Harlan B. Hokin, Paul Cummings had its release date on May 1, 1996. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 13 in Angeli: Music of Angels by Ensemble Project Ars Nova, Tapestry. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of Arcanae: I. Seraphim is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Arcanae: I. Seraphim by Patricia Van Ness, Tapestry, Ensemble Project Ars Nova, Harlan B. Hokin, Paul Cummings is Vivace (lively and fast), since this song has a tempo of 170 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Veni, veni Emmanuel | Zoltán Kodály, Aquarius | F Minor | 1 | 4A | 77 BPM | ||
| Shakespeare Songs, Book 3: IV. O mistress mine! | Matthew Harris, Phoenix Bach Choir, Charles Bruffy, Robert Comeaux | E♭ Major | 1 | 5B | 127 BPM | ||
| Fayrfax: Maria plena virtute - 04. Mater dolorosa | Robert Fayrfax, The Tallis Scholars, Peter Phillips | G Minor | 1 | 6A | 99 BPM | ||
| 9 Sacred Pieces: 4. "Tebe poem" | Pyotr Ilyich Tchaikovsky, St.Petersburg Chamber Choir, Nikolai Korniev | C Major | 1 | 8B | 85 BPM | ||
| Mass in E-Flat Major, Op. 109, IJR 75 "Cantus Missae": I. Kyrie | Josef Rheinberger, Netherlands Radio Choir, Benjamin Goodson | F Major | 1 | 7B | 79 BPM | ||
| The Nine Orders of the Angels: III. Sum Anael ex Septimi Chori | Patricia Van Ness, Laurie Monahan, Cristi Catt, Daniela Tosic, Carolann Buff | C Major | 0 | 8B | 72 BPM | ||
| Chants of the Saints Heavenly Orthodox Sound | Queen of Apostles, Capella Gregoriana, The Benedictine Abbey of Saint Benôit-Du-Lac, Dom André Saint-Cyr | D Minor | 1 | 7A | 102 BPM | ||
| Stjernebru: Intro | Ørjan Matre, Det Norske Jentekor, Anne Karin Sundal-Ask, Gjermund Larsen, Frode Haltli | G Major | 0 | 9B | 134 BPM | ||
| Oratio Beatissima Aurorae | Wonderworker, The Choir of Eparchy of Tripoli | D Major | 2 | 10B | 100 BPM | ||
| Son of God Mass: Gloria | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | E Minor | 1 | 9A | 68 BPM | ||
| Jesus refulsit omnium | Steven Griffin, The Choir of Magdalen College, Oxford, Mark Williams | F Major | 2 | 7B | 76 BPM | ||
| Gaudens Gaudebo | Schola Gregoriana Del Coro F. Paer, Schola of the Hofburgkapelle, Vienna, The Monks of Pluscarden Abbey | C Major | 0 | 8B | 78 BPM | ||
| Repleti sunt | Jacobus Gallus, Pro Musica, Szabó Dénes | F Minor | 1 | 4A | 134 BPM | ||
| Adoramus Te, Panem Caelitum | Traditional Song, The Carmelite Sisters of the Most Sacred Heart of Los Angeles | D Major | 2 | 10B | 84 BPM | ||
| Liturgical Chants: 4 Spiritual Songs. Cherubic Song | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | A Major | 0 | 11B | 81 BPM | ||
| Actus Caritatis | Pēteris Vasks, Youth Choir "Kamer...", Patriks Kārlis Stepe | D Major | 1 | 10B | 132 BPM | ||
| Farewell the Bliss | The Royal Wind Music | B♭ Minor | 1 | 3A | 91 BPM | ||
| The Trisagion Hymn | Alexander Pierce Hill, Apollo5 | B♭ Minor | 2 | 3A | 136 BPM | ||
| Til We Meet Again | Simon Daum | A Major | 2 | 11B | 130 BPM | ||
| For Dappled Things | John Casken, Joyful Company Of Singers, Peter Broadbent | B♭ Minor | 2 | 3A | 136 BPM | ||
| All-night Vigil, Op. 44: Vzbrannoy voyevode | Pavel Chesnokov, St. John's Voices, Cambridge University Chamber Choir, Graham Walker | A Minor | 0 | 8A | 78 BPM | ||
| Surely He Has Borne Our Griefs | Richard Hillert | E♭ Major | 2 | 5B | 66 BPM | ||
| Tenebrae factae sunt à 4 | Blasius Amon, Huelgas Ensemble, Paul Van Nevel | F Major | 1 | 7B | 84 BPM | ||
| A Prayer | Richard Harvey, Estonian Philharmonic Chamber Choir, Heli Jürgenson | A Major | 1 | 11B | 82 BPM | ||
| Gandrille: Magnificat, Op. 50: I. Magnificat | Jean-Charles Gandrille, Maitrise Notre-Dame De Paris, Yves Castagnet, Henri Chalet | C Minor | 3 | 5A | 84 BPM |