Julius Rodriguez's ' "Blues At The Barn" was released on its scheduled release date, June 10, 2022. With this song being around four minutes long, at 3:34, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Julius Rodriguez's "Let Sound Tell All" album is number 1 out of 9. On top of that, United States appears to be the country where this track was created. Blues At The Barn is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Blues At The Barn by Julius Rodriguez to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Generation S | Peter Martin, Gregory Hutchinson, Sarah Hanahan, Reuben Rogers | F Minor | 5 | 4A | 127 BPM | ||
| Humble Magic (feat. Trombone Shorty) | Adam Blackstone, Trombone Shorty | D♭ Major | 5 | 3B | 82 BPM | ||
| Unchanged | Terri Lyne Carrington | C Major | 5 | 8B | 112 BPM | ||
| Chavez | Julian Lage | G Major | 4 | 9B | 148 BPM | ||
| Last Straw | The Park, WaveIQ, Being There, Julius Rodriguez | C Major | 4 | 8B | 94 BPM | ||
| Welcome | Sarah Hanahan | F♯ Major | 6 | 2B | 141 BPM | ||
| Real Love Pt. 1 | Brandon Woody | E♭ Minor | 8 | 2A | 91 BPM | ||
| Still Listening | Jahari Stampley | F Major | 7 | 7B | 115 BPM | ||
| Chemical X | Julius Rodriguez | A♭ Major | 7 | 4B | 83 BPM | ||
| Darkness ABA | Raffy Bushman | A♭ Major | 4 | 4B | 106 BPM | ||
| May all your Storms be Weathered | Gregory Groover Jr., Joel Ross, Aaron Parks, Vicente Archer, Matthew Stevens, Marcus Gilmore | B Major | 4 | 1B | 138 BPM | ||
| It's Okay | Takuya Kuroda | E♭ Minor | 2 | 2A | 130 BPM | ||
| Portal | Snarky Puppy | E Minor | 9 | 9A | 90 BPM | ||
| Until I See You Again | Ulysses Owens Jr. | D Major | 5 | 10B | 137 BPM | ||
| Staying the Course | Anthony D'Alessandro | C Major | 4 | 8B | 135 BPM | ||
| Valse in C-sharp minor (Op. 64, No. 2) | Kurt Rosenwinkel, Jean-Paul Brodbeck | D♭ Minor | 5 | 12A | 81 BPM | ||
| A Purpose | Melissa Aldana | F♯ Minor | 3 | 11A | 122 BPM | ||
| Oblivion | Max Ionata, Jesper Bodilsen, Martin Maretti Andersen | A Minor | 1 | 8A | 103 BPM | ||
| Transfiguration | James Francies | C Major | 5 | 8B | 74 BPM | ||
| Warp | Blue Lab Beats, Jackson Mathod, Kaidi Akinnibi | D Minor | 9 | 7A | 103 BPM | ||
| Contra | Walter Smith III | A Major | 5 | 11B | 173 BPM | ||
| The Cost | Derrick Hodge | A♭ Major | 7 | 4B | 97 BPM | ||
| Fire | Kiyafro | A Major | 4 | 11B | 116 BPM | ||
| New Mornings | Lakecia Benjamin | E♭ Minor | 5 | 2A | 126 BPM | ||
| Side Step'n | Open Studio | A♭ Major | 5 | 4B | 95 BPM |