"Waltzes and Reunions" by Line Adam had its release date on November 21, 2025. The duration of This song is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Waltzes and Reunions's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Line Adam's "My Old Piano" album is number 6 out of 9. On top of that, Belgium appears to be the country where this track was created. Waltzes and Reunions is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Waltzes and Reunions by Line Adam to be Adagio (slowly with great expression) because the track has a tempo of 73 BPM, a half-time of 36BPM, and a double-time of 146 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sérénade (Schubert) | Henri Pélissier | D Major | 1 | 10B | 85 BPM | ||
| Luna Sorrentina | Orchestra Mandolinistica Italiana | B Minor | 3 | 10A | 105 BPM | ||
| Abbie Marie (Cello and Piano) [feat. Emil Miland] | Karen Marie Garrett, Emil Miland | A♭ Major | 1 | 4B | 90 BPM | ||
| Life Fleeing... | Stamatis Spanoudakis | G Major | 1 | 9B | 100 BPM | ||
| Quelques flocons | Line Adam | F Major | 1 | 7B | 90 BPM | ||
| Grand Trio: No. 4, Adagio | Friedrich Kuhlau, Line Adam, Fabienne Dussenwaert, Isabelle Bialek | G Major | 1 | 9B | 69 BPM | ||
| Nocturne ((Waltz / 29 Bpm)) | Ballroom Orchestra and Singers | G Minor | 3 | 6A | 174 BPM | ||
| Pulcinella innamorato | Lino Cannavacciuolo | E Minor | 5 | 9A | 84 BPM | ||
| Open Arms | Lee Lessack, Brian Lane Green | C Major | 3 | 8B | 79 BPM | ||
| Until We Meet Again | Martin Tillman | E Major | 2 | 12B | 110 BPM | ||
| Trymay (Instrumental) (Slow Waltz 29) | DJ Maksy | B Minor | 4 | 10A | 112 BPM | ||
| Rêve In Blue | Deneb Noir | C Major | 1 | 8B | 179 BPM | ||
| Quatre coups de pointrolle | Line Adam, Quatuor Thaïs | D Major | 2 | 10B | 130 BPM | ||
| Dos Palabras | Oscar Benito | A Minor | 5 | 8A | 82 BPM | ||
| 小夜曲, D. 957 | 张博, 尹一迦, 黎雨荷, 郭悦, 华子, 范可音 | C Major | 2 | 8B | 77 BPM | ||
| Sekhemet | David Hicken | C Major | 1 | 8B | 123 BPM | ||
| Trace in the Sand | J.K. Hodge | D Major | 1 | 10B | 80 BPM | ||
| Libre | Flav | D Minor | 0 | 7A | 146 BPM | ||
| Rainbow Connection | Ross Mitchell, His Band & Singers | F♯ Major | 2 | 2B | 87 BPM | ||
| Apologize | Orchestra Alec Medina | C Minor | 3 | 5A | 90 BPM | ||
| Nocturne No. 4 “Echoes at Midnight” | Armando Gutierrez de Velasco Schmidt, Armando Gutierrez de Velazco Schmidt, Armando GDV Schmidt | A Minor | 3 | 8A | 150 BPM | ||
| To Dust | Helen Jane Long | G Major | 2 | 9B | 155 BPM | ||
| The Wandering Keys | Line Adam | A♭ Major | 2 | 4B | 135 BPM | ||
| Somewhere In Paris - For Guitar and Strings | Henrik Janson | A Minor | 1 | 8A | 120 BPM | ||
| Thalassa | Laurens van Rooyen | G Major | 1 | 9B | 131 BPM |