George Frideric Handel, Musica Sacra, Richard Westenburg's ' "Messiah, HWV 56: Part I: His yoke is easy, and His burden is light (Chorus)" was released on its scheduled release date, 1982. The duration of This song is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Messiah, HWV 56: Part I: His yoke is easy, and His burden is light (Chorus)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel, Richard Westenburg's "Handel: Messiah" album is number 21 out of 53. On top of that, United States appears to be the country where this track was created. Messiah, HWV 56: Part I: His yoke is easy, and His burden is light (Chorus) is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Messiah, HWV 56: Part I: His yoke is easy, and His burden is light (Chorus) by George Frideric Handel, Musica Sacra, Richard Westenburg to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 6 Sonates en symphonies, Op. 3, Sonata No. 6: IIa. Larghetto | Jean-Joseph Cassanéa De Mondonville, Les Musiciens du Louvre, Marc Minkowski | A♭ Minor | 0 | 1A | 133 BPM | ||
| Rinaldo, HWV 7, Act II Scene 4: Aria. Lascia ch’io pianga (Almirena) | George Frideric Handel, Marion Newman, Laura Whalen, Kimberley Barber, Jennifer Ens Modolo, Sean Watson, Barbara Hannigan, Giles Tomkins, Nicole Bower, Catherine Affleck, Melinda Delorme, Lenard Whiting, Opera in Concert, Aradia Ensemble, Kevin Mallon | E Major | 0 | 12B | 91 BPM | ||
| Oboe Concerto in D Minor, S. Z799: I. Andante e spiccato | Alessandro Marcello, Marcel Ponseele, Il Gardellino | D Minor | 2 | 7A | 122 BPM | ||
| Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | F Major | 1 | 7B | 71 BPM | ||
| Concerto Per Oboe, Archi E Continuo In Re Minore: III. Presto | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 2 | 12A | 118 BPM | ||
| Jeux d'enfants, Op. 22: No. 3, La poupée | Georges Bizet, Katia Labèque, Marielle Labèque | B Major | 0 | 1B | 64 BPM | ||
| Suite From Abdelzar: I. Rondeau | Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon | D♭ Minor | 1 | 12A | 101 BPM | ||
| Symphony in A Major, J-C 62: II. Andante e pianissimo | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Minor | 0 | 1A | 104 BPM | ||
| Symphony in C Major, J-C 4: II. Andante e affettuoso | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 137 BPM | ||
| Oboe Concerto in D Minor, S. Z799: II. Adagio | Alessandro Marcello, Musica Bohemica, Jaroslav Krcek, Gabriela Krčková | D Minor | 1 | 7A | 134 BPM | ||
| Schubert: String Quartet No. 14 in D Minor, D. 810, "Death and the Maiden": II. Theme - | Franz Schubert, vision string quartet | G Minor | 0 | 6A | 131 BPM | ||
| Symphony in C Major, Op. 1, No. 6 (Callen 6): I. Allegro | Franz Ignaz Beck, New Zealand Chamber Orchestra, Donald Armstrong | G Major | 2 | 9B | 143 BPM | ||
| Couperin: Les Baricades mistérieuses | François Couperin, Aurora Orchestra, Nicholas Collon | B♭ Major | 0 | 6B | 65 BPM | ||
| Pygmalion: Overture | Jean-Philippe Rameau, Les Talens Lyriques, Christophe Rousset | E♭ Minor | 1 | 2A | 136 BPM | ||
| Orfeo ed Euridice, Wq. 30: Dance of the Blessed Spirits "Melody" (Arr. Sgambati for Piano) | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
| Andante festivo, JS 34b (Version for String Orchestra & Timpani) | Jean Sibelius, Sinfonia Lahti, Osmo Vänskä | G Major | 2 | 9B | 57 BPM | ||
| Lully: Ballet des muses, LWV 32: Air. "Trop indiscret Amour" (Euridice) | Jean-Baptiste Lully, Les Arts Florissants, William Christie, Sophie Daneman | F Minor | 1 | 4A | 71 BPM | ||
| Magnificat, Wq. 215: Magnificat, Wq. 215: 1. Chor. Magnificat anima mea Dominum | Carl Philipp Emanuel Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | D♭ Major | 3 | 3B | 135 BPM | ||
| Oboe Concerto in D minor S.Z799: 2. Adagio | Alessandro Marcello, Clare Shanks, Academy of Ancient Music, Christopher Hogwood | A♭ Minor | 5 | 1A | 117 BPM | ||
| Concerto Grosso in F Major, Op. 3, No. 1: I. Allegro assai: Adagio | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | C Major | 3 | 8B | 114 BPM | ||
| Ständchen, S. 560 (Trans. from Schwanengesang No. 4, D. 957) | Franz Schubert, Franz Liszt, Khatia Buniatishvili | D Major | 0 | 10B | 67 BPM | ||
| 12 Concerti Grossi, Op. 6, No. 8 in G Minor "Fatto per la notte di Natale": V. Allegro & VI. Largo. Pastorale ad libitum | Arcangelo Corelli, Karol Teutsch, Orchestre Leopoldinum-wroclaw | G Major | 1 | 9B | 117 BPM | ||
| Chamber Sonata No. 4 in G Minor: I. Grave | Élisabeth Jacquet de La Guerre, Musica Fiorita | D♭ Minor | 2 | 12A | 84 BPM | ||
| Concerto No. 2 In G Minor RV 578: II. Allegro (Vivaldi) | Accademia Bizantina | F♯ Minor | 3 | 11A | 120 BPM | ||
| Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 0 BPM |