Stan and Mabel: 17. The Competition - Music-only version by Adelaide Symphony Orchestra, Benjamin Northey Song Details

"Stan and Mabel: 17. The Competition - Music-only version" by Adelaide Symphony Orchestra, Benjamin Northey had its release date on February 16, 2018. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 42 in the song's album "Stan and Mabel". In this album, this song's track order is #38. Based on our statistics, Stan and Mabel: 17. The Competition - Music-only version's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Stan and Mabel: 17. The Competition - Music-only version by Adelaide Symphony Orchestra, Benjamin Northey having a BPM of 121 with a half-time of 60 BPM and a double-time of 242 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Music Key

E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -10.761 dB
Acousticness: 97%
Danceability: 28%
Energy: 93%
Instrumentalness: 95%
Liveness: 63%
Loudness: 82%
Speechiness: 13%
Valence: 0%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
What Do You Do With An Idea?: Protecting The Idea	Paul Rissmann, Adelaide Symphony Orchestra, Luke Dollman, Young Adelaide Voices with Christie Anderson	F Major	2	7B	124 BPM
English Folk Song Suite: 2. Intermezzo: My Bonny Boy	Ralph Vaughan Williams, Academy of St. Martin in the Fields, Sir Neville Marriner	C Minor	0	5A	64 BPM
Le nozze di Figaro, K. 492, Act II: "Voi che sapete"	Wolfgang Amadeus Mozart, Sally-Anne Russell, Adelaide Symphony Orchestra, Nicholas Milton	G Major	5	9B	113 BPM
Piano Quintet in A Major, D. 667 "Trout": 4. Theme And Variations	Franz Schubert, Seraphim Trio, Jacqueline Cronin, David Campbell	D Major	0	10B	96 BPM
Scottish Fantasy for Violin and Orchestra, Op. 46: IV. Finale: Allegro guerriero	Max Bruch, Joshua Bell, Academy of St. Martin in the Fields	E♭ Major	2	5B	97 BPM
Spiegel im Spiegel	Arvo Pärt, Sally Maer, Sally Whitwell	F Major	0	7B	82 BPM
Fra Holbergs tid, Op. 40: IV. Air (From Holberg's Time) [Version for Orchestra]	Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset	A♭ Major	1	4B	102 BPM
Il carnevale di Venezia, Op. 78	Giulio Briccialdi, James Galway, National Philharmonic Orchestra, Charles Gerhardt	C Major	1	8B	87 BPM
Dance Of The Comedians from "The Bartered Bride"	George Daugherty, Sydney Symphony Orchestra	C Major	3	8B	149 BPM
Concerto for Harp and Orchestra, Op. 74: 2. Tema con variazioni. Andante	Reinhold Glière, Alice Giles, Adelaide Symphony Orchestra, David Porcelijn	B♭ Minor	0	3A	107 BPM
Pelleas et Melisande Suite, Op. 80: III. Sicilienne	Gabriel Fauré, RTE Sinfonietta, John Georgiadis	D Minor	0	7A	70 BPM
My Country Childhood: 3. A Village Funeral	Peter Sculthorpe, Adelaide Symphony Orchestra, James Judd	D Major	1	10B	83 BPM
Alfvén: Suite from The Mountain King, Op. 37: IV. The Hersmaid's Dances	Hugo Alfvén, Mariss Jansons, Oslo Philharmonic Orchestra	G Major	2	9B	150 BPM
Peer Gynt, Op. 23, Act IV: No. 13, Prelude. Morning Mood	Edvard Grieg, San Francisco Symphony, Herbert Blomstedt	E Major	0	12B	66 BPM
Fall From Paradise - Live In Australia, 1979	Little River Band, Adelaide Symphony Orchestra	D Minor	3	7A	119 BPM
English Folk Song Suite: 1. March: Seventeen come Sunday	Ralph Vaughan Williams, Academy of St. Martin in the Fields, Sir Neville Marriner	F Minor	2	4A	121 BPM
Madrugado	Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson	E♭ Major	2	5B	138 BPM
The Watermill	Ronald Binge, New London Orchestra, Ruth Scott, Ronald Corp	B♭ Major	1	6B	71 BPM
Suite from "The Victorian Kitchen Garden": I. Prelude. Andante pastorale	Paul Reade, Michael Collins, Michael McHale	B♭ Major	0	6B	67 BPM
Die tote Stadt, Act I: Mariettas Lied	Erich Wolfgang Korngold, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits	B♭ Major	3	6B	94 BPM
Symphony No. 3 - 'Pastoral Symphony': II. Lento moderato	Ralph Vaughan Williams, Hallé, Sir Mark Elder	G Minor	0	6A	103 BPM
Double Bass Concerto Op. 118: III. Moderato marziale e ironico	Wilfred Josephs, Gary Karr, Adelaide Symphony Orchestra, Patrick Thomas	B Major	0	1B	115 BPM
A Moorside Suite: II. Nocturne (Arr. P. Lane)	Gustav Holst, Royal Ballet Sinfonia, Gavin Sutherland	A Minor	0	8A	57 BPM
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio	Max Bruch, Joshua Bell, Academy of St. Martin in the Fields, Sir Neville Marriner	E♭ Major	1	5B	85 BPM
Beautiful Dreamer	Stephen Foster, Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman	D Major	1	10B	140 BPM